L'Exorcisme d'Emily Rose backdrop
L'Exorcisme d'Emily Rose poster

L'EXORCISME D'EMILY ROSE

The Exorcism of Emily Rose

2005 US HMDB
septembre 9, 2005

Lorsque Emily Rose quitte sa province, c'est pour aller étudier à l'université. Une nuit, seule dans sa chambre d'étudiante, elle est la proie d'hallucinations et d'une rencontre surnaturelle qui la laissera épouvantée. Convaincue qu'elle est harcelée par les forces démoniaques, Emily sombre peu à peu, victime de symptômes de plus en plus spectaculaires. Perdue et terrifiée, Emily demande au prêtre de sa paroisse, le père Richard Moore, de l'exorciser...Au terme du combat contre sa possession, la jeune fille trouve la mort. Accusé d'homicide par imprudence, le père Moore se retrouve au cœur d'un procès qui va ébranler les convictions de tous. Défendu par Erin Bruner, une célèbre avocate qui ne croit pas au surnaturel, Moore n'a plus l'ambition d'être innocenté, il veut simplement que tout le monde sache ce qui est réellement arrivé à Emily…

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Equipe

Production: Andre Lamal (Executive Producer)Gary Lucchesi (Producer)Julie Yorn (Executive Producer)Beau Flynn (Producer)Tripp Vinson (Producer)Terry McKay (Executive Producer)Tom Rosenberg (Producer)David McIlvain (Executive Producer)
Scenario: Scott Derrickson (Screenplay)Paul Harris Boardman (Screenplay)
Musique: Christopher Young (Original Music Composer)
Photographie: Tom Stern (Director of Photography)

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Roberto Giacomelli
L'avocate carriériste et agnostique Erin Bruner accepte de représenter la défense du prêtre catholique père Moore, accusé du meurtre de la jeune Emily Rose, morte lors d'un rituel d'exorcisme. L'accusation soutient que la jeune fille souffrait d'épilepsie psychotique et que l'intervention de l'exorciste, qui a entravé les soins médicaux d'Emily, a été fatale pour la patiente. L'Archidiocèse voudrait faire taire père Moore pour éviter un scandale, mais le prêtre veut raconter toute la vérité et expliquer en détail chaque étape de la possession d'Emily Rose. Présenté hors compétition au dernier festival de Venise et grand succès à sa sortie en salles aux États-Unis, "The Exorcism of Emily Rose" est un curieux mélange entre le drame judiciaire et l'horreur démoniaque. Le film s'inspire d'un véritable fait divers (la phrase "Inspiré d'une histoire vraie" est de plus en plus fréquente sur les affiches des films d'horreur ces derniers temps) qui a vu, en 1976, la mort d'Anneliese Michel, une jeune Allemande de plus de vingt ans, décédée lors d'une pratique d'exorcisme; le prêtre qui a pratiqué le rituel a été accusé d'homicide par négligence envers la patiente, considérée comme souffrant d'épilepsie et de problèmes de nature schizophrénique. Cette transposition cinématographique se déroule donc sur deux registres bien différents: d'une part, nous avons la trame du thriller juridique, qui occupe environ 70% du film; d'autre part, 30% restants consacrés aux flashbacks qui racontent la dramatique histoire de la présumée possédée, illustrée par des scènes d'horreur généreuses et choquantes. Les deux niveaux cinématographiques semblent presque inconciliables entre eux, mais en les voyant mélangés dans ce film, on peut admettre que Scott Derrickson (réalisateur et scénariste du film) a réussi l'exploit: les parties se déroulant dans la salle d'audience sont haletantes et parviennent à captiver l'intérêt du spectateur; les parties concernant la possession et l'exorcisme parviennent même à être glaçantes. En effet, l'un des plus grands mérites du film (au moins pour le public amateur du genre horreur) est le réalisme impressionnant avec lequel l'histoire de la possession a été abordée et montrée; donc rien de vomi vert, rien de rotation de la tête, rien de lévitation, mais seulement des hurlements abominables, des contractions nerveuses à la limite de l'humain, des pupilles dilatées et des blessures auto-infligées. Un réalisme, donc, qui accorde un espace minimal aux effets spéciaux (il n'y a que les hallucinations d'Emily qui clignent de l'œil aux effets les plus banals de série B) et qui se concentre sur l'ambiguïté de l'histoire: Emily Rose était-elle vraiment possédée par le démon (ou plutôt, par six démons!), ou s'agissait-il d'une authentique épilepsie dégénérée à la suite de croyances superstitieuses alimentées par l'environnement bigot dans lequel la jeune fille a grandi? Le film ne veut pas répondre à tout cela et ne pourrait d'ailleurs pas le faire, mais c'est probablement cet aspect le plus actuel et brûlant du film: le conflit éternel entre la foi et la science. Le film adopte une approche beaucoup plus laïque par rapport aux nombreux films d'horreur démoniaques qui l'ont précédé, même s'il se permet quelques inflexions dans les clichés les plus usés du genre; nous aurons donc des crucifix qui se retournent pendant l'exorcisme; la jeune fille possédée attachée au lit et parlant des langues inconnues, des animaux agissant comme des intermédiaires pour le démon, etc.; des caractéristiques peut-être insérées pour satisfaire aussi le public le plus attaché au cinéma d'horreur. Les interprètes sont de haut niveau: de la brillante Laura Linney, dans le rôle de l'avocate protagoniste, sceptique qui accepte l'affaire uniquement pour une carrière, mais qui se trouve à revoir sa relation avec la foi; à Tom Wilkinson, dans le rôle de père Moore, un homme tourmenté mais fort; jusqu'à l'impressionnante et convaincante interprétation de Jennifer Carpenter dans le rôle d'Emily Rose. En conclusion, "The Exorcism of Emily Rose" est un film d'horreur anormal et original, bien loin de la frivolité de nombreux récents films gore (toujours très appréciés!), qui s'appuie sur une réalisation sûre, un casting de première qualité et des scènes de possession extrêmement efficaces pour glacer le sang. On peut le considérer comme une opération réussie.
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AVIS DE LA COMMUNAUTÉ (2)

slayrrr666

4 /10

During the trial for his events, a lawyer tries to help her client, a priest, seek the truth about what happened to the young woman who died under his care while performing an exorcism to cure her of a demonic possession and eventually lets the truth about it be known.

This wasn't anywhere as bad as it could've been. The film is really split into two halves here with this one being basically helped greatly by its really good possession and shock scenes. The opening scene that sets her up to becoming possessed is one of it's best sequences, as the long hallway and the unearthly voices floating around give it an unearthly feel while the first scene in the classroom where she sees a demonic face appearing in the window through a cloud of mist and turns around to see a student's face turn into a distorted demon's face giving off an unearthly roar makes it quite shocking. Running out into the rain and seeing more demonic faces give off the same unearthly roar is a bit clichéd, but it still helps to sell the mood while the finale in the church giving this a quite creepy conclusion. The different manners of how she’s become afflicted are quite memorable moments with the frenzied bug-eating, speaking in tongues or just contorting her body into such impossible positions that it really becomes obvious something is wrong with her, and the long, suspenseful and chilling exorcism is the film's selling point, coming off with any number of creepy ideas and scenes in such a drawn-out style is one of the best scenes in the film. Otherwise, beyond the shocks and the exorcism, there isn't much else to like about it. Therefore, everything else in it doesn't really work which is only relegated to the courtroom battle drama. It's marketed as being a supernatural possession film, and the best moments come from those scenes, but the fact that the majority of the film is a courtroom battle with the supernatural elements coming in the form of flashbacks is a real misstep and is likely to confuse those coming in expecting the other kind of film. It's not that they're boring or anything, it's just that it's out of nowhere that it becomes that way, and it can be a disappointment. The fact that these are slow and really long don't help matters, extending this out far longer than it should. This could've easily been an hour and a half, or maybe a little longer, but the two hours running time forces it to keep the courtroom antics going for no reason other than to extend the running time. A few extraneous scenes could've been snipped as well, including the introductory scenes at the bar that repeat information we already know and also keep the running time going, and most of the time simply elicit a feeling of wanting to move along and get to the good scenes. These really harm the film.

Rated PG-13: Language, Mild Violence and intense demonic and spiritual themes.

Wuchak

Wuchak

9 /10

Scares the hell out of ya

This was based on the actual story of a German girl who died while being exorcised in the late 1970s. The priest was then put on trial for neglectful homicide. Google it for details.

Erin Bruner (Laura Linney) plays an agnostic who defends the priest (Tom Wilkinson) while the prosecutor (Campbell Scott) is a believer. This creates some problems: How can an unbeliever defend a believer who performs a service that apparently kills the young woman? How can a believer come against another believer who was simply trying to deliver the girl from spiritual malevolence?

The prosecutor makes the case that the woman was ill with various mental disorders and that the exorcism was just a bunch of superstitious mumbo jumbo. By contrast, Erin Bruner argues that these illnesses were the RESULT OF possession -- that the girl's possession brought on the symptoms. This makes sense in light of the scriptural evidence of Jesus Christ delivering people from evil spirits who induced insanity, muteness and deafness.

Another important argument of the defense is that a potent drug that Emily was prescribed trapped her in a mode that was resistant to the exorcism.

The fascinating story provokes many questions. We need to take an honest look at our mental health practices and institutions. Although there are some genuinely good people working in this field who care about the patients, it seems that the best we can do is drug people and make them, more or less, numbed-up living zombies or even mindless vegetables. Unfortunately this is how they're damned to live the rest of their lives, subservient and dependent on the mental health establishment (that actually needs them to stay ill in order to exist).

Such people don't need more drugs and "therapy." What they need is delivered. They need delivered from evil spiritual powers that have possessed them. They need FREED. Don't mistake me here, I'm not against mental health people or facilities because I realize they're just doing what they know to do. It's just not working. Again, the mentally ill need delivered not force-fed more drugs and essentially locked-up for the rest of their lives. That's not life, it's living death!

Of course, releasing a horde of religious wackos into our mental institutions isn't the answer. Yet, what if some believers who walked in the boldness and authority of Jesus Christ were available, people who show documented evidence of DELIVERING the mentally ill? The New Testament relays case after case of Jesus Christ exorcising demons from hundreds of people, maybe thousands. He didn't numb 'em up and sentence them to a life of living death. Rather he came to set the prisoners free from darkness, heal the sick and heal the brokenhearted! If there are people out there who walk in this same anointing of power and freedom, shouldn't we allow them to minister to our mentally ill?

Unfortunately a large percentage of the church is very weak in regards to spiritual deliverance. Except for offering eternal salvation, which is wonderful, their gospel is powerless and next to worthless. Yet this wasn't the way of the early Church. Paul, Peter and others offered total deliverance. Thankfully, there are still a remnant of these types of believers and these are the ones who can help our mentally ill, as long as the oppressed WANT freedom, healing and deliverance (since some WANT to stay dependent and "cared for").

I'm only raising such moral/theological/philosophical questions because the film provokes it. So please don't be irked at me for getting all heavy and theological.

Despite the numerous courtroom scenes (which I'm not a fan of) there are certainly enough horrifying elements in "The Exorcism of Emily Rose" to please most horror fans, just don't expect Freddy or Jason shenanigans.

Interestingly, while it's horrifying "The Exorcism of Emily Rose" is also somehow warm and faith-affirming, even sometimes beautiful.

My only criticism is a theological theory introduced late in the movie. This theory is incredible wrong. I won't elaborate except to say that God would never allow the option of Emily's possession as a supposed testimony to the world of the existence of dark spiritual powers, rather the God's purpose is always to deliver such people, which not only testifies to the existence of the malevolent powers but, more importantly, sets the person FREE and gives glory to the Almighty.

The film runs 119 (the unrated version 122 minutes) and was shot in Vancouver, BC.

GRADE: A

Avis fournis par TMDB