El gabinete del doctor Caligari backdrop
El gabinete del doctor Caligari poster

EL GABINETE DEL DOCTOR CALIGARI

Das Cabinet des Dr. Caligari

1920 DE HMDB
febrero 27, 1920

Sentado en un banco de un parque, Francis anima a su compañero Alan para que vayan a Holstenwall, una ciudad del norte de Alemania, a ver el espectáculo ambulante del doctor Caligari. Un empleado municipal que le niega al doctor el permiso para actuar, aparece asesinado al día siguiente. Francis y Alan acuden a ver al doctor Caligari y a Cesare, su ayudante sonámbulo, que le anuncia a Alan su porvenir: vivirá hasta el amanecer.

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Equipo

Produccion: Erich Pommer (Producer)Rudolf Meinert (Producer)
Guion: Hans Janowitz (Screenplay)Carl Mayer (Screenplay)
Musica: Giuseppe Becce (Original Music Composer)Alfredo Antonini (Original Music Composer)
Fotografia: Willy Hameister (Director of Photography)

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Marco Castellini
El doctor Caligari muestra al público un sonámbulo llamado Cesare capaz de predecir el futuro. A uno de los presentes se le dice que pronto morirá y puntualmente el hombre es asesinado. Una chica es raptada por el sonámbulo vidente pero a morir no será ella sino Cesare mismo. Al final descubrimos que todos los personajes de la historia son pacientes de un manicomio del que el doctor Caligari es el director. Ha sido definido como "la obra maestra del expresionismo alemán". Esta obra de principios de los años veinte representa uno de los primeros ejemplos de cine de terror y ha marcado de manera indeleble la historia del cine de terror. El elemento que más impacta hoy en día son las escenografías retorcidas y inquietantes (obra de tres pintores expresionistas) que reflejan la pesadilla que vive el protagonista de la historia pero al mismo tiempo la psique retorcida del ser humano que se resuelve en la locura. "El gabinete del doctor Caligari" es ciertamente una pequeña obra maestra del género pero hay que precisar que no se trata absolutamente de una película fácil: a ratos hermética, inevitablemente lenta y ciertamente no apta para todos. Disponible de nuevo recientemente en cinta, calurosamente recomendado si se quiere pasar una hora (la película dura un poco más de 60 minutos) de gran cine.
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RESEÑAS DE LA COMUNIDAD (2)

CinemaSerf

CinemaSerf

8 /10

This is a seriously creepy affair that follows the story of the young "Franzis" (Friedrich Feher) who goes to a fairground one night with his friend "Alan" (Hans Heinrich von Twardowski). They happen upon the performance of the coffin-dwelling somnambulist prophesier "Cesare" (Conrad Veidt) and his spooky master "Dr. Caligari" (Werner Krauss). "Casare" - who is all but skeletal in appearance, portends looming disaster for "Alan", and when he is found murdered next morning suspicions turn to this enigmatic pair- even though there is no real "evidence" at all! Things take an even darker twist when the anaemic seer predicts that "Jane" (Lil Dagover), a gentle creature admired by both the deceased and his surviving friend, is not long for this mortal coil either... It falls to "Franzis" to solve the mystery and save his love from... The story is bleak at times, the settings stark and angular, frequently almost abstract in appearance. Veidt is outstanding, as if he were in a nightmare in an Escher drawing, or some other such challenging structure for our minds to comprehend; and Krauss, too, with his maniacal eyes and almost orchestra leading hand gestures is wonderful too. The photography has a tendency to draw out the shots a little too much, but again - they help create a genuine sense of scariness. Nothing gory, or bloody - just eerie, and enormously effective. Unlike so many films that have attained critical acclaim, or cult status, this is actually a really good story with strong acting talent and wonderfully vivid visuals from Robert Wiene (and Willy Hameister) that really is amongst the best of it's - or any other - genre..

Horseface

Horseface

1 /10

This is the worst movie I've ever watched 15 minutes of. Lars von Trier once said he knew at the latest fifteen minutes into a movie whether it was worth continuing, and I took that advice to heart, so here we are.

Okay. Seriously. SERIOUSLY? Yes, 102 years ago, "cinema" was in its early years. Silent movies, someone on a piano going plonkty plonk while people were drinking moonshine, smoking plutonium and coughing up pneumonia. Great. How fantastically interesting in a historical perspective. (Seriously, though, it is.)

But hello, and welcome to reality in the now. This is absolute garbage. The only way this is useful in any way is as a source for memes. I'd like to see this with a death metal soundtrack. Or in MST3K form. Anything. Or simply as something displayed on the wall at a rave, for kitsch.

This is TERRIBLE. Anyone who rates this more than 1 stars is either a movie historian (thumbs up, dudes, I do appreciate you work, whatever it is, maybe not actually) or a pretentious dumbbell, who has never enjoyed a movie in his or her life for fear of being wrong about enjoying it.

Christ on a mongoloid horse. Garbage.

Reseñas proporcionadas por TMDB