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Cat People

1982 • US HMDB
avril 2, 1982

Irena retrouve son frère Paul à la Nouvelle-Orléans. Dans les jours qui suivent, une mystérieuse panthère tue une prostituée. L'animal se révèle avoir d'étranges liens avec Paul et Irena.

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Equipe

Production: Charles W. Fries (Producer)Jerry Bruckheimer (Executive Producer)Max Rosenberg (Executive Producer)
Scenario: Alan Ormsby (Screenplay)Paul Schrader (Screenplay)DeWitt Bodeen (Story)
Musique: Giorgio Moroder (Original Music Composer)
Photographie: John Bailey (Director of Photography)

CRITIQUES (1)

Marco Castellini •
À La Nouvelle-Orléans, une femme est tuée et offerte en sacrifice à une déesse panthère. Dans la même ville, une autre jeune fille rencontre le frère qu'elle n'avait jamais connu et qui l'informe de la terrible malédiction qui pèse sur leur famille : ils ne peuvent pas tomber amoureux car, si cela devait arriver, ils seraient immédiatement transformés en panthères féroces. Remake du film de Tourneur qui, à part les formes sinueuses de la belle Nastassja Kinski, offre peu de raisons d'êtreremembered. Si vous êtes vraiment intéressé par le genre et que vous ne parvenez pas à trouver le film de 1942... sinon laissez tomber.
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AVIS DE LA COMMUNAUTÉ (1)

Wuchak

Wuchak

7 /10

Atmospheric, artistic, dramatic horror in New Orleans

"Cat People" came out in 1982 and is a modern take on the classic 1942 film. Nastassja Kinski and Malcolm McDowell are siblings cursed to become were-panthers if sexually aroused. The only way they can become human again is to kill a fellow human. The idea is absurd and fantastical, but "Cat People" takes the subject absolutely seriously. John Heard plays a zoo manager who falls in love with Kinski’s character, while Annette O'Toole plays the third person in the romantic triangle.

The movie’s engrossing and has style & pizazz. For instance, the flashback scenes of the ancient panther tribe doing rituals in an orange desert are surreal and captivating; the accompanying atmospheric music by Giorgio Moroder adds to the mood nicely, along with David Bowie’s theme song. While both are decidedly 80’s, they fit the flick and are somehow timeless.

Both Kinski and McDowell are properly cat-like. McDowell, as usual, has a weird and diabolic air about him. John Heard is fine as the protagonist and redhead O'Toole is simply gorgeous. Speaking of which, Kinski is indeed quite attractive, as observed in the scene of her fishing with Heard in hot pants and wader boots, but O'Toole steals Kinski’s thunder a bit, particularly in the pool sequence.

This is a great flick for showcasing the New Orleans area and the Sothern Gothic ambiance thereof. Keep in mind that it’s definitely a horror flick and so can be pretty brutal at times. On a related note, if nudity offends you then you might want to skip it as many of the characters are shown totally nude or near nude.

The film runs just shy of 2 hours and was shot in the New Orleans area with some stuff done in the Los Angeles region (e.g. studio work and the panther tree sequence).

GRADE: B+/A-

Avis fournis par TMDB