The Wretched backdrop
The Wretched poster

THE WRETCHED

2019 US HMDB
décembre 15, 2019

Un adolescent provocant, aux prises avec le divorce imminent de ses parents, affronte une sorcière de mille ans qui vit sous la peau de la femme d'à côté et se fait passer pour elle.

Distribution

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Commentaires

Commentaires (0)

Equipe

Production: Willis King (Executive Producer)Ed Polgardy (Producer)Lanier Porter (Executive Producer)Leman Porter (Executive Producer)Chang Tseng (Producer)
Scenario: Brett Pierce (Writer)Drew T. Pierce (Writer)
Musique: Devin Burrows (Original Music Composer)
Photographie: Conor Murphy (Director of Photography)

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Streaming

MIDNIGHT FACTORY Amazon Channel MIDNIGHT FACTORY Amazon Channel

AVIS DE LA COMMUNAUTÉ (3)

Jack

Jack

5 /10

Well well well... I am not certain what to think of this film to be honest. Overall, yes, it is a horror film and a unique story. But I have a thing against what they call a “teenage horror film.” Somehow these films don’t do it for me.

Overall, the acting was mediocre as well. The make up person of the “monster”, you are the reason I don’t hate this film. Hats off to you.

Would I watch it again? No. Would I make my friends watch it? No.

SWITCH.

SWITCH.

5 /10

On a micro-level, 'The Wretched' gets the job done. The Pierce Brothers and their crew suck viewers in with pulpy wet sounds of flesh popping open or bones splintering. The simple pleasure of watching filmmakers take time to tease out their monster is slight, but it goes a long way when you stack 'The Wretched' up against its competition. Pick out any number of horror titles that came out in 2020, and see how well the Pierce Brothers film their witch in comparison. These scare scenes aren't just competent - they're consummately disgusting and appreciably creepy, too.

  • Jake Watt

Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-wretched-uneven-but-satisfyingly-disgusting

Repo Jack

Repo Jack

6 /10

I was stoked for The Wretched as it was one of the first mainstream movies released straight to VOD after a month of pandemic lockdown. It started great -- the usual horror-movie prologue was gripping and disturbing. The story was intriguing and mildly original with a "Rear Window" sub-plot that works well. And the creature effects were outstanding. Unfortunately, the lead protagonist was dull and annoyingly selfish to the point that it dragged most of the movie down with him, redemption arc notwithstanding.

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