Saw 3 - L'Enigma senza fine
N/A
POSSESSOR
ottobre 2, 2020
Tasya Vos, un'assassina aziendale d'élite, usa la tecnologia degli impianti cerebrali per prendere il controllo dei corpi di altre persone per porre fine a obiettivi di alto profilo. Mentre sprofonda nel suo ultimo incarico, Vos rimane intrappolata in una mente che minaccia di cancellarla.
Registi
Cast
Andrea Riseborough
Tasya Vos
Christopher Abbott
Colin Tate
Jennifer Jason Leigh
Girder
Sean Bean
John Parse
Tuppence Middleton
Ava Parse
Rossif Sutherland
Michael Vos
Kaniehtiio Horn
Reeta
Raoul Bhaneja
Eddie
Gage Graham-Arbuthnot
Ira Vos
Gabrielle Graham
Holly
Christopher Jacot
Reid Parse
Hanneke Talbot
Katherine
Deragh Campbell
Moira
Ayesha Mansur Gonsalves
Martha
Matthew Garlick
Elio
Daniel Junghuan Park
Policeman
Hrant Alianak
Lead Technician
Rachael Crawford
Dr. Melis
Kathy Maloney
Reporter
Megan Vincent
Alice
Troupe
Produzione:
Dave Bishop (Executive Producer) — Andrew Starke (Producer) — Niv Fichman (Producer) — Fraser Ash (Producer) — Kevin Krikst (Producer) — Ryan Hamilton (Executive Producer) — Gary Hamilton (Executive Producer) — Ying Ye (Executive Producer) — Noah Segal (Executive Producer) — Tony Roman (Executive Producer) — Adrian Love (Executive Producer) — Vaishali Mistry (Executive Producer) — David U. Lee (Executive Producer) — Daniel Negret (Executive Producer) — Steven Squillante (Executive Producer)
Sceneggiatura:
Brandon Cronenberg (Writer)
Musica:
Jim Williams (Original Music Composer)
Fotografia:
Karim Hussain (Director of Photography)
POTREBBE PIACERTI ANCHE
Dove Guardare
Streaming
MGM Plus Amazon Channel
Noleggio
Apple TV
Amazon Video
Acquista
Apple TV
Amazon Video
Google Play Movies
RECENSIONI DALLA COMMUNITY
(3)
SWITCH.
8
/10
The Cronenberg name is tightly associated with the body horror genre, and rightfully so. 'Possessor' feels like a fever dream, delivering unsettling violence, thought-provoking creativity and remorseless direction. Its revelations about the monsters within, summed up in its shockingly grim climax, have a lasting resonance.
- Jake Watt
Read Jake's full article... https://www.maketheswitch.com.au/article/review-possessor-engrossingly-gross-cronenbergian-body-horror
Repo Jack
7
/10
I just wrote a review about how mainstream critics don't "get" horror, elevating attempts at filmmaking "art" over the basics that horror fans love. "Possessor" is an exception where critics (72 Metacritic Score) and users (7.6 Metacritic Score) agree that it's a pretty damn good flick.
The acting is excellent. Andrea Riseborough from "Mandy" is creepy odd (again) as a mind-possessing assassin, and Christopher Abbott from "It Comes at Night" is a depressed AND possessed soul for the next assassination.
There are too many adjectives to list to give the film justice, so here's just a few: disturbing, violent, bloody, mind-bending, visual, provocative,
While Brandon Cronenberg may have a similar interest in melding technology and horror as his father David Cronenberg, he is introducing his own style and originality. Very much like like Joe Hill has done with father Stephen King.
All of which is nothing but a bonus for horror fans.
Manuel São Bento
8
/10
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com
In a year where the horror genre didn't have that many great representatives, Brandon Cronenberg's remarkably captivating concept is an instant attention-grabber. Boasting two phenomenal performances from Andrea Riseborough and Christopher Abbott (Colin Tate), Possessor is one of the most visually shocking films of 2020.
From the extreme gore to the unrestrained depiction of insanely violent murders, Cronenberg fills his movie with creepy imagery that will definitely trigger many viewers to simply give up. Its slow pace helps establish the never-ending suspenseful atmosphere, which ultimately delivers some of the most intense sequences I've seen in a long time.
Despite the interesting narrative and its eye-opening developments, Possessor fails to keep the momentum going throughout the entire runtime. The weird imagery helps with visual storytelling, but it reaches a point where it becomes too distracting and unnecessary. The third act is also quite predictable, contrasting with the somewhat surprising first half.
In the end, it's still one of my favorite horror films of the year.
Rating: B+
Recensioni fornite da TMDB
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