Donnie Darko backdrop
Donnie Darko poster

DONNIE DARKO

2001 US HMDB
January 19, 2001

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.

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Crew

Production: Nancy Juvonen (Producer)Drew Barrymore (Executive Producer)Adam Fields (Producer)Sean McKittrick (Producer)Casey La Scala (Executive Producer)William Tyrer (Executive Producer)Hunt Lowry (Executive Producer)Christopher Ball (Executive Producer)Aaron Ryder (Executive Producer)
Screenplay: Richard Kelly (Writer)
Music: Michael Andrews (Original Music Composer)
Cinematography: Steven Poster (Director of Photography)

REVIEWS (1)

Francesco Mirabelli
Francesco Mirabelli
United States, October 1988, the eve of the Bush-Dukakis elections, an important moment in American history. Donnie (Jake Gyllenhaal) is an apathetic and sad boy, he doesn't have a good relationship with his family, teachers, and schoolmates, except for two delinquents with whom he has befriended; he suffers from sleepwalking, is considered to be "a troubled boy" and is nearing his eighteenth birthday. One day, during one of his frequent sleepwalking episodes, he meets a giant black rabbit named Frank, with human features. The message that the mysterious creature brings is simple: the world will end in 28 days. The next morning, Donnie wakes up in a golf course not far from his home. After returning home, he fatally realizes that his room has been destroyed by the engine of a crashed airplane and consequently will believe that his new friend saved his life. However, there are no traces of a flight near Donnie's town detected by radar or nearby control towers... Moving, melancholic but at the same time threatening, for a strange coincidence "Donnie Darko" was released on September 11, 2001 in the United States, precisely the day when Americans saw with their own eyes a kind of end of the world. Initially, the film had very little success and was panned by critics first in America and then also in Europe, but it was never released in Italy. Re-evaluated and conceived as a genuine example of a cult film, the movie boasts a plot at the pinnacle of originality that tends to unsettle the viewer, who witnesses the dramatic vicissitudes of Donnie, a common teenager who loves life like his peers, at least before meeting Frank, the black rabbit who became his friend and brought him a rather shocking message: "The world will end in 28 days." Fatally, it is said that the film was shot in exactly 28 days with a budget of about 5 million dollars, grossing approximately 500,000 dollars in five months. After the incredible failure, the film was hailed as a cinematic work of high artistic value, to the point that the young director Richard Kelly will make (3 years later) a second version of the film called "director's cut," in which he adds 20 minutes of unreleased scenes (at the time cut by the producers, who feared a flop, as indeed happened), along with explanations about time travel inspired by Stephen Hawking's theories. From the cast, the only known names are: Patrick Swayze, in the role of a shady positive thinking preacher who demonizes fear (which in reality is an integral part of the human soul) and Drew Barrymore, who believed in the project so much that she financed it out of her own pocket (in fact, she is credited as a producer). Spiteful is the description in the film of American provincialism, bigoted and well-mannered, where problems are hidden, and where the protagonist is labeled as a mentally ill person (in fact, he is under the care of a psychologist who hypnotizes him to discover the reason for his "strangeness" that makes him socially unacceptable), while in reality it is the society that surrounds him that is "crazy." This theme is deeply linked to the film's political vision, which is set in the final stages of the 1988 election campaign that marked the rise to power of the Bush family in the United States precisely thanks to the support of American provincialism against the liberal wing of the country (hilarious are the political conflicts within Donnie's family, with the convinced Republican father and the Dukakis activist sister, which resolves in teasing like "vote for Dukakis" written on the refrigerator); in this case, the references to Bush Jr.'s 2000 election are obvious, even if it was wisely preferred (an end-of-'80s setting to avoid making the film too current. The time travels and "parallel" realities on which much of the film is based are founded on real paradoxes generated by possible interpretations of Albert Einstein's general relativity equations that have made theoretical physicists discuss and have not yet been resolved, lacking experimental evidence. Despite this, "Donnie Darko" should not be considered a "science fiction" film more "scientific" than "fantastic," given that it is not really explained how these time travels occur, and how it is possible that the messengers in the other reality are the dead of the other universe. The film does not possess these pretensions and should not be considered on a par with an episode of "Star Trek" or "The Twilight Zone." In conclusion, "Donnie Darko" is a very interesting film, with an obsessive dose of emotion that explodes in scenes of uncontrollable human despair of which the young protagonist is a victim. A sublime mix of drama, horror, music, and sci-fi, a completely new genre that strikes the public's attention to the core; a film worthy of being seen that suggests parallel universes, narrating the brutal anguish of youth.
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COMMUNITY REVIEWS (5)

Andres Gomez

7 /10

Interesting movie with several readings.

As with 2001: A Space Odissey, it is needed a reading of the actual explanation for the events to fully understand the original idea ... if you are interested in such explanation ...

Wuchak

Wuchak

6 /10

Cult flick with sophisticated themes, great cast, but meh story

Released in 2001 and written/directed by Richard Kelly, "Donnie Darko" is a drama/fantasy starring Jake Gyllenhaal as a troubled California teen dogged by apparitions of a man in an evil rabbit suit who manipulates him to commit several crimes, after he narrowly escapes a peculiar accident concerning a jet engine falling from the sky. Maggie Gyllenhaal plays his sister, Holmes Osborne & Mary McDonnell his parents, Drew Barrymore his teacher, Katharine Ross his therapist, Jena Malone his girlfriend, Noah Wyle his science teacher and Patrick Swayze a self-help guru. Patience Cleveland is on hand as Grandma Death.

While the movie flopped at the box office, it has since become a serious cult hit. I saw it recently for the first time and went into it cold without knowing anything about the intricacies behind the plot. The only thing I knew was that the kid was harassed by an ee-vil bunny apparition. The film mildly works as a high school drama with a satirical smirk. But the story's just not engaging enough on that level. While the movie has some quality women, it fails to capitalize on their presence (Barrymore, for instance, is barely in it). But Jake is a solid protagonist, even somewhat sympathetic despite the curious things he does.

By the middle of the second act I found myself getting bored with the story and trying to figure out what was going on, but the film perks up in the last act, particularly when it reveals the truth about the scary bunny guy. After viewing, my overall impression was that the story never really took off and was burdened by perplexing ambiguities even while possessing some fascinating elements. I came up with a theory to explain the events (explained below) but, upon reflection, I realized that all the pieces didn't fit. And the movie simply wasn't entertaining enough to bang my head further trying to figure it out. I would've given the movie a mediocre 5/10 rating, but after investigating the official meaning and the alternative explanations I had to admit that the film is genius in this respect. It just needed to be attached to a more interesting story with more stimulating characters.

The film runs 113 minutes, which is the version I saw; the Director's Cut runs 20 minutes longer. It was shot in Los Angeles and surrounding areas (Angeles National Forest, Long Beach, Santa Monica, Santa Clarita, Burbank & Calabasas).

GRADE: B-

ADDITIONAL COMMENTARY (SPOILER ALERT Don't read unless you've seen the movie):

My casual interpretation turned out to be one of the alternative explanations of the movie, the so-called "Donnie Is Shown the Future" explanation, which suggests that Donne is shown the future via the future ghost of Frank and so he sacrifices himself at the end to save everyone. But, as noted above, there are too many holes in this interpretation.

A couple of other popular explanations are the banal Schizophrenia Theory, where the film shows the protagonist going through an episode of his illness, and the Dream Theory, where it was "all just a dream," which is too clichéd and idiotic to even consider.

The 'official' interpretation I would've never pieced together because it's just too sci-fi-oriented and complex: It's the Tangent Universe Theory, which suggests that time in the Primary Universe (i.e. reality) is occasionally corrupted and an unstable alternative universe is created, but it will only last a few weeks. Nevertheless, it threatens to destroy the universe. The events you see happening in the bulk of the film are this alternative reality where the universe (or God) is correcting the error to get back to the Primary Universe using an Artifact (the jet engine), The Living Receiver (Jake Gyllenhaal), a Manipulated Dead person (the bunny guy), and so on. Google it and you'll see that the Tangent Universe explanation ties up all the loose ends.

Repo Jack

Repo Jack

9 /10

A complete mind-bender of a movie that put Jake Gyllenhall on the map, introduced the creepiest rabbit costume of all time, and may make you surprisingly tear up to a remake of Tears for Fears "Mad World."

Filipe Manuel Neto

Filipe Manuel Neto

6 /10

A strange film, with a strong visual impact and a script with wild theories, but which fulfills its objective very well and is enjoyable to watch.

I saw this film very recently, and I have to agree with all those who label it “strange” or “bizarre”. Directed and written by Richard Kelly, it stars a young Jake Gyllenhaal and offers us a very complex plot where a young teenager commits several crimes under the influence of an imaginary friend who dresses up as a rabbit. Everything indicates that this young man is schizophrenic or psychotic in some way, and has developed several linked obsessions, but the film always leaves us in doubt as to whether he is, in some way, right about the things he thinks.

There are several films that follow similar scripts, where imagination and psychopathy are almost indistinguishable from reality (“Fight Club”, “Machinist”, etc.) and this is perhaps one of the most surreal because it allows us to see, from the beginning, that something is very wrong. That's a bonus for those who like these types of films because it's easy to keep our attention. Of course, those who are less fond of cinematic oddities won't have much reason to be satisfied.

And if it is true that, on a technical level, the film does not present any major innovations or surprises, it is also true that it does everything very correctly and without problems or gross errors. We can even say that, considering the budget, it is one of those films that seems more expensive than it is. In addition, we must also mention the beautiful performance of the cast, where each one seems to do what needs to be done with correctness and restraint. Gyllenhaal has the right strength and charisma for his role and does an excellent job, and Jena Malone proves to be an intelligent and well-considered addition.

CinemaSerf

CinemaSerf

7 /10

Jake Gyllenhaal is the eponymous teenager who just doesn't really fit in. Ever since he was a young child, he has struggled and it's only "Gretchen" (Jena Malone) who has anything to do with him. It's maybe on the psychiatrists couch that he seems most able to relax - under hypnosis - and under that influence we embark on quite a curious learning curve that follows "Donnie" from childhood through the turbulence of his adolescence. Now his development might not have been helped by the arrival of an aircraft engine through his roof, so his body's self defence mechanisms seem to be seeking solace from his friend "Frank". No, he's not real - well not unless life-sized bunnies have escaped up the looking glass, and when he is told that the world will end in just short of one month's time, then it's time to find his psychological TARDIS - or as near as he can. Why did he survive the accident? Well that's the question that continues to plague him as his torments mount and his frustrations begin to manifest themselves in petty criminality and a testing of his relationship with his only real friend "Gretchen". Now I don't know about you, but until now I'd never thought of bunny rabbits as being the least menacing. Think "Thumper" from "Bambi" (1942) and that's about it. Here, though, auteur Richard Kelly uses the light - well mostly the dark - to create quite a sense of peril as young "Donnie" seems to lose what little grasp of the plot he ever had. It's also quite darkly comical at times, with the rather potent script treading a line between fact and fiction in an engagingly blurred fashion. Gyllenhaal plays the part well, adding a vulnerability to a role that is quite difficult to define and as we progress, well some of our earlier assumptions become just a little more fluid. The haunting Gary Jules version of the Tears For Fears "Mad World" song tops a strong 1980s soundtrack and the whole film has an ethereal eeriness to it that I did quite enjoy.

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