The Others backdrop
The Others poster

THE OTHERS

2001 ES HMDB
August 2, 2001

Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.

Cast

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Crew

Production: Tom Cruise (Executive Producer)Sunmin Park (Producer)Rick Schwartz (Executive Producer)Harvey Weinstein (Executive Producer)Fernando Bovaira (Producer)Bob Weinstein (Executive Producer)José Luis Cuerda (Producer)Paula Wagner (Executive Producer)
Music: Alejandro Amenábar (Original Music Composer)
Cinematography: Javier Aguirresarobe (Director of Photography)

REVIEWS (1)

Marco Castellini
England, post-war: Grace and her two children live in a large, isolated house almost always shrouded in fog. The children suffer from a strange illness that forces them to live sheltered from the light. One morning, three servants arrive at the door: the young woman entrusts them with the running of the house after explaining her strict rules. Life seems peaceful, but strange noises and voices from other rooms begin to terrorize the woman and her two children: it's as if the house is inhabited by other presences; but who are these "intruders" and what do they want...? The young and promising Spanish director Amenábar, with his third film (the two previous ones being the thriller "Tesis" and the fantasy "Open Your Eyes"), ventures into horror with this ghost story starring an excellent Nicole Kidman and produced by her ex-husband, Tom Cruise. The director's choice seems clear: the true fear is that which lurks in the imagination; the tension, the suspense are rendered through noises, creaks, doors that suddenly close and open, a sort of "clues of horror" that foreshadow something, but something undefined and therefore even more terrifying. The mystery is only revealed in the final scene, leaving (as far as possible) the audience stunned. Let's say Amenábar has partly achieved the result he set out to achieve, only "in part" because the more savvy viewer can guess the ending already halfway through the film, and this is due to the debt that "The Others" inevitably has to pay to previous ghost movies like "Carnival of Souls", "Suspense" or the recent "The Sixth Sense". However, the excellent photography, dominated by the yellow of the house lights that faintly illuminate the sinister shadow areas of the rooms of the eerie mansion, a particularly effective soundtrack (composed by the director himself) and the excellent performances of the actors (as already mentioned, Kidman above all) are already more than enough to enjoy the film. Curiosity: for little James Bentley, it was not difficult to get into the role, the child in fact really suffered, for a few years, from a rare disease that made him photosensitive, not allowing him to expose himself to the sun without first applying a special protective cream for the skin.
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COMMUNITY REVIEWS (2)

Wuchak

Wuchak

7 /10

Spectral happenings on an estate in the Channel Islands after WWII (no spoilers)

RELEASED IN 2001 and written & directed by Alejandro Amenábar, "The Others" is a haunted house flick about a woman (Nicole Kidman) who lives in an old manor on one of the Channel Islands with her two photosensitive children immediately after WWII. After three people arrive seeking employment, they increasingly become convinced that the abode is haunted.

While this is a fantasy movie in that it depicts supernatural happenings, like doors mysteriously opening and closing, these types of unexplainable things have been known to happen. The movie is a serious exploration of what may really be occurring. The mansion seems sterile and there’s a one-dimensional pale ‘look’ to the bulk of the picture, which was intentional for obvious reasons. Speaking of which, the perpetually fog-laden grounds create a nice ghostly ambiance.

Everything hinges on whether the last act effectively reveals the truth and it does. The film provides intriguing food for thought.

THE MOVIE RUNS 1 hour, 44 minutes and was shot in Cantabria, Spain (exteriors of the mansion); Penshurst, Kent, England (The Lime Walk) and Madrid.

GRADE: B/B-

CinemaSerf

CinemaSerf

7 /10

"Grace" (Nicole Kidman) lives in her almost blacked-out stately pile on Jersey where her two children "Nicholas" (James Bentley) and "Anne" (Alakina Mann) are hyper-sensitive to light. When her staff mysteriously abscond, she has to employ a new housekeeper "Mrs. Mills" (Fionnula Flanagan), and together they must ensure that the children are always locked into a room with no access to any windows that are not shrouded by thick curtains. The suddenly she hears a noise. Maybe a voice, even? She searches in vain but these odd occurrences start to multiply. Their usually fastidious household routines start to unwind, doors are left unlocked and the children start telling their mother of people moving around the house - folks that she cannot see! Just what's going on? Are these happenings connected with "Mills" and the new staff? Great news when husband "Charles" (Christopher Eccleston) returns from the War - shellshocked and distant, or then again - does he actually return at all? "Grace" is becoming increasingly paranoid. She can't tell what's real and what's not - and her children are only fuelling her fears! Although way darker and more sinister, this actually reminded me a little of the "Amazing Mr. Blunden"! A ghostly story that uses children as a conduit between what might have been, or is, or may yet to be. The young Bentley and Mann deliver effectively here as director Alejandro Amenábar uses the dark and creaky house, extensive and frequently misty grounds and a creative sound effects mixer to create a genuine sense of menace. It's very hard to be innovate with this genre, there's just so much we have all seen before, but Kidman paces herself well here delivering a story that's not so predictable as we might have expected.

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