El fantasma del paraíso backdrop
El fantasma del paraíso poster

EL FANTASMA DEL PARAÍSO

Phantom of the Paradise

1974 US HMDB
octubre 31, 1974

Swan, el mayor productor musical de su época, capaz de crear éxito tras éxito, busca un nuevo sonido para inaugurar su nuevo templo del Rock llamado “El Paraíso”. Para ello, encierra y roba a Winslow Leach, un compositor desfigurado y completamente desconocido, el trabajo de toda su vida, una versión Rock del mito alemán “Fausto”. Pero Leach, una vez en libertad, se enamora de la nueva estrella de la canción promocionada por el magnate y comenzará su particular venganza contra Swan.

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Equipo

Produccion: Edward R. Pressman (Producer)Gustave M. Berne (Executive Producer)
Guion: Brian De Palma (Writer)Louisa Rose (Writer)
Musica: Paul Williams (Original Music Composer)
Fotografia: Larry Pizer (Director of Photography)

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As Chianese
Swan, un industrial discográfico que ha hecho un pacto con Satán, mete en problemas a un joven músico robándole su última composición y haciéndolo arrestar por drogas. Cuando el pobre músico se escapa, buscará vengarse, aunque ya no es el mismo: una prensa de discos lo ha desfigurado y lo obliga a llevar una máscara. Original remake musical del hermoso argumento narrativo de Gaston Leroux. De Palma firma su primera gran película de éxito con este delirante horror impregnado de rock y escalofríos. Excelente la actuación y la banda sonora de Paul Williams, en la película también aparece Jessica Harper (la protagonista de "Suspiria"), también destaca el semidesconocido William Finley. La película ganó en Avoriaz en 1975 y, tras un comienzo discreto, se convirtió en un culto para los amantes de De Palma y del horror.
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CinemaSerf

CinemaSerf

7 /10

William Finley as the eponymous character and Paul Williams as the duplicitous record producer "Swan" both ham up enjoyably in this update of the Gaston Leroux novel. "Finley" is writing a cantata, parts of which are overheard by the unscrupulous "Swan" who gets his sidekick "Philbin" (George Memmoli) to pinch the score. Next thing, auditions are ongoing and the poor old writer has been well and truly sidelined. He's determined to wreak his revenge, a determination amplified after an accident sees him hideously disfigured. With chaos ensuing all around, "Swan" decides to try and make a peace with his nemesis - but pretty soon it's clear that's never going to work and as the opening night of the rock club "The Paradise" looms ever closer, you have to wonder if you'd really want a ticket after all. It's good fun this film with some entertaining performances at the top, Jessica Harper holds her own as the feisty chanteuse "Phoenix" and there's just about enough menacing megalomania to prevent it descending into farce. It's quite easy to see how many subsequent films or concepts it may have spawned as it takes much from musical theatre and high drama and mingles them into something that's a sort of an hybrid of the "Man from U.N.C.L.E" and "Jesus Christ Superstar". Williams also wrote much of the of the original soundtrack with a few power ballads packed in to keep the pace moving along and it's worth sticking about for the credits. It has dated, but I still enjoyed it.

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