Phantom of the Paradise backdrop
Phantom of the Paradise poster

PHANTOM OF THE PARADISE

1974 US HMDB
October 31, 1974

Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.

Cast

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Crew

Production: Edward R. Pressman (Producer)Gustave M. Berne (Executive Producer)
Screenplay: Brian De Palma (Writer)Louisa Rose (Writer)
Music: Paul Williams (Original Music Composer)
Cinematography: Larry Pizer (Director of Photography)

REVIEWS (1)

As Chianese
Swan, a music industry executive who made a pact with Satan, gets a young musician in trouble by stealing his latest composition and having him arrested for drugs. When the poor musician escapes, he will seek revenge, even though he is no longer the same: a record press has disfigured him and forces him to wear a mask. Original musical remake of the beautiful narrative framework of Gaston Leroux. De Palma signs his first major successful film with this delirious horror infused with rock and chills. Excellent the acting and the soundtrack by Paul Williams, the film also features Jessica Harper (the protagonist of "Suspiria"), also good is the relatively unknown William Finley. The film won at Avoriaz in 1975 and, after a slow start, became a cult for De Palma and horror fans.
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COMMUNITY REVIEWS (1)

CinemaSerf

CinemaSerf

7 /10

William Finley as the eponymous character and Paul Williams as the duplicitous record producer "Swan" both ham up enjoyably in this update of the Gaston Leroux novel. "Finley" is writing a cantata, parts of which are overheard by the unscrupulous "Swan" who gets his sidekick "Philbin" (George Memmoli) to pinch the score. Next thing, auditions are ongoing and the poor old writer has been well and truly sidelined. He's determined to wreak his revenge, a determination amplified after an accident sees him hideously disfigured. With chaos ensuing all around, "Swan" decides to try and make a peace with his nemesis - but pretty soon it's clear that's never going to work and as the opening night of the rock club "The Paradise" looms ever closer, you have to wonder if you'd really want a ticket after all. It's good fun this film with some entertaining performances at the top, Jessica Harper holds her own as the feisty chanteuse "Phoenix" and there's just about enough menacing megalomania to prevent it descending into farce. It's quite easy to see how many subsequent films or concepts it may have spawned as it takes much from musical theatre and high drama and mingles them into something that's a sort of an hybrid of the "Man from U.N.C.L.E" and "Jesus Christ Superstar". Williams also wrote much of the of the original soundtrack with a few power ballads packed in to keep the pace moving along and it's worth sticking about for the credits. It has dated, but I still enjoyed it.

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