Phantom of the Paradise backdrop
Phantom of the Paradise poster

PHANTOM OF THE PARADISE

1974 US HMDB
octobre 31, 1974

Winslow Leach, jeune compositeur inconnu, tente désespérément de faire connaître l'opéra qu'il a composé. Swan, producteur et patron du label Death Records, est à la recherche de nouveaux talents pour l'inauguration du Paradise, le palais du rock qu'il veut lancer. Il vole la partition de Leach, et le fait enfermer pour trafic de drogue. Brisé, défiguré, ayant perdu sa voix, le malheureux compositeur parvient à s'évader. Il revient hanter le Paradise...

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Equipe

Production: Edward R. Pressman (Producer)Gustave M. Berne (Executive Producer)
Scenario: Brian De Palma (Writer)Louisa Rose (Writer)
Musique: Paul Williams (Original Music Composer)
Photographie: Larry Pizer (Director of Photography)

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As Chianese
Swan, un industriel de la musique ayant conclu un pacte avec Satan, met dans le pétrin un jeune musicien en lui volant sa dernière composition et en le faisant arrêter pour drogue. Lorsque le pauvre musicien s'évade, il cherchera à se venger, même s'il n'est plus le même : une presse à disques l'a défiguré et le force à porter un masque. Remake musical original du magnifique canevas narratif de Gaston Leroux. De Palma signe son premier grand film à succès avec cet horror délirant imprégné de rock et de frissons. Excellente performance et bande-son de Paul Williams, le film met également en vedette Jessica Harper (la protagoniste de "Suspiria"), et William Finley est également remarquable. Le film a remporté le prix à Avoriaz en 1975 et est devenu un culte pour les amateurs de De Palma et de l'horreur.
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CinemaSerf

CinemaSerf

7 /10

William Finley as the eponymous character and Paul Williams as the duplicitous record producer "Swan" both ham up enjoyably in this update of the Gaston Leroux novel. "Finley" is writing a cantata, parts of which are overheard by the unscrupulous "Swan" who gets his sidekick "Philbin" (George Memmoli) to pinch the score. Next thing, auditions are ongoing and the poor old writer has been well and truly sidelined. He's determined to wreak his revenge, a determination amplified after an accident sees him hideously disfigured. With chaos ensuing all around, "Swan" decides to try and make a peace with his nemesis - but pretty soon it's clear that's never going to work and as the opening night of the rock club "The Paradise" looms ever closer, you have to wonder if you'd really want a ticket after all. It's good fun this film with some entertaining performances at the top, Jessica Harper holds her own as the feisty chanteuse "Phoenix" and there's just about enough menacing megalomania to prevent it descending into farce. It's quite easy to see how many subsequent films or concepts it may have spawned as it takes much from musical theatre and high drama and mingles them into something that's a sort of an hybrid of the "Man from U.N.C.L.E" and "Jesus Christ Superstar". Williams also wrote much of the of the original soundtrack with a few power ballads packed in to keep the pace moving along and it's worth sticking about for the credits. It has dated, but I still enjoyed it.

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