EARTH VS. THE SPIDER
October 7, 2001
A shy comic book fan is injected with an experimental serum and starts turning into a spider. When web covered bodies start appearing a policeman starts to investigate the strange case.
Directors
Cast
Dan Aykroyd
Det. Insp. Jack Grillo
Devon Gummersall
Quentin Kemmer
Amelia Heinle
Stephanie Lewis
Theresa Russell
Trixie Grillo
Christopher Cousins
Officer Williams
Mario Roccuzzo
Nick Bezis
John Cho
Han
Randall Huber
Midtown murderer
Zia Harris
Gutterpunk #1
Lloyd Lowe Jr.
Gutterpunk #2
Michael Keenan
Willie
Ted Rooney
Coroner
Dan Martin
Huge Cop
Rob Hill
Liquor Store Cop
Brian J. Gilbert
Photojournalist
Howard George
Walter
Douglas Jude McKeon
Facility Manager
Lisa Picotte
Goth Girl
Pedro Pascal
Goth Guy
Willie C. Carpenter
Dr. Calloway
Crew
Production:
Stan Winston (Producer) — Lou Arkoff (Producer) — Colleen Camp (Producer)
Screenplay:
Cary Solomon (Writer) — Mark 'Crash' McCreery (Story) — Max Enscoe (Writer) — Chuck Konzelman (Story) — Annie DeYoung (Writer)
Music:
David Reynolds (Music)
Cinematography:
Thomas L. Callaway (Director of Photography)
REVIEWS (1)
To avenge the death of a friend, a young comic book enthusiast injects himself with the blood of a genetically modified spider and transforms into a horrible eight-legged creature intent on weaving a malevolent web of death and fear... It could be defined as a "Spider Man" in horror version, or rather in B-movie version, as the film in question takes inspiration – albeit indirectly – from the hero created by Stan Lee and brought to the big screen by Sam Raimi. Winston's Spider-Man (this film is also part of the series produced for the "Creatures of Chill" cycle) is in no way a hero; he is certainly closer to Cronenberg's horrifying "The Fly" (from which he also steals a couple of ideas) than to the most famous wall-crawler in the world. Once again, the extremely well-crafted special effects take center stage, but this film, like almost all the others in the same series, lacks rhythm (the first part is completely devoid of narrative tension) and also originality (the situations and twists of the story are always predictable). In the cast, a more and more pregnant and opulent Dan Aykroyd, now far removed from the glory days of "Blues Brothers".
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