To cure an ailment that makes him a victim of frequent paralysis, Hitchcock must take a daily potion based on curare. To "cure" him is Dr. Livingstone, who is secretly the lover of his wife Margaretha. When the two kill him by giving him a double dose of curare, the ghost of the necrophiliac doctor will torment them until both die. Dr. Hitchcock returns and there are again troubles for the beautiful Barbara Steele! With a Peter Baldwin not perfectly at ease and a screaming, not very psychotic Steele, the film resembles too many other American films of that period with the fake death and the persecution of the two culprits. Sequel to the successful "The Terrible Secret of Dr. Hitchcock," the film suffers from a poor screenplay but has considerable visual talent on the part of Freda. Image after image, there is a heavy sense of déjà-vu, but Freda's direction, as usual impeccable and rich in references, raises this film several notches above other gothic films of the period.
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