POLTERGEIST
June 4, 1982
The Freelings' suburban home becomes the center of paranormal activity that opens a portal to the 'other side'. With help, they must cross over to get their daughter back.
Directors
Horror
Cast
JoBeth Williams
Diane Freeling
Craig T. Nelson
Steve Freeling
Beatrice Straight
Dr. Lesh
Dominique Dunne
Dana Freeling
Heather O'Rourke
Carol Anne Freeling
Oliver Robins
Robbie Freeling
Zelda Rubinstein
Tangina Barrons
Richard Lawson
Ryan
Martin Casella
Dr. Marty Casey
Michael McManus
Ben Tuthill
Virginia Kiser
Mrs. Tuthill
James Karen
Mr. Teague
Lou Perryman
Pugsley
Clair E. Leucart
Bulldozer Driver
Dirk Blocker
Jeff Shaw
Allan Graf
Neighbor
Joseph Walsh
Neighbor
Helen Baron
Woman Buyer
Noel Conlon
Husband
Robert Broyles
Pool Worker
Crew
Production:
Frank Marshall (Producer)
Screenplay:
Steven Spielberg (Screenplay) — Michael Grais (Screenplay) — Mark Victor (Screenplay)
Music:
Jerry Goldsmith (Original Music Composer)
Cinematography:
Matthew F. Leonetti (Director of Photography)
REVIEWS (1)
The quiet Freeleng family is at the center of a strange situation: some mysterious phenomena, initially harmless, manifest themselves in the house where they have recently moved, and the situation deteriorates when the youngest daughter, little Carol, disappears without a trace. Only her voice remains, which seems to come from the television! Only after long trials and thanks to the help of some experts in paranormal phenomena and a medium will the situation return to normal, perhaps... For the first time, Tobe Hooper had a high budget to direct a horror film - it is enough to say that the film's producer was Steven Spielberg, who also wrote the screenplay - but he only partly managed to be up to the task. The Tobe Hooper of this film does not even seem a distant relative of the director who directed the violent and delirious "Don't Open That Door". In "Poltergeist", the gruesome and disturbing sequences to which Hooper had accustomed us in his beginnings ("Don't Open That Door", "That Motel Near the Swamp") are completely missing, everything is a bit too "Movie for All". It remains, however, without a doubt a good product, at times engaging and with special effects - curated by George Lucas' ILM - at the forefront, which ultimately prove to be the most successful element of the film: the most disparate objects fly everywhere and smash against the walls of the rooms; the force of gravity is completely absent, while a ghostly esophagus connects the television to the world of the dead. "Poltergeist" will always be remembered as a dazzling saraband of special effects, but certainly not as a terrifying film!
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