Un hombre lobo americano en Londres backdrop
Un hombre lobo americano en Londres poster

UN HOMBRE LOBO AMERICANO EN LONDRES

An American Werewolf in London

1981 GB HMDB
agosto 21, 1981

Dos mochileros norteamericanos, David Kessler y Jack están de viaje por Europa. Caminando por una zona rural de Inglaterra, la población local los mira mal cuando entran en un bar. Al salir, reciben todo tipo de extrañas advertencias: 'Manténganse en la carretera y aléjense de los pantanos' y 'Cuidado con la luna'. Aun así, los jóvenes se adentran en la oscuridad y no se dan cuenta que están siendo seguidos por una terrible criatura.

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Equipo

Produccion: George Folsey Jr. (Producer)Jon Peters (Executive Producer)Peter Guber (Executive Producer)
Guion: John Landis (Screenplay)
Musica: Elmer Bernstein (Original Music Composer)
Fotografia: Robert Paynter (Director of Photography)

RESEÑAS (1)

Marco Castellini
Dos chicos están de vacaciones en Inglaterra; una noche, mientras cruzan una landa aislada en una zona rural, son atacados por un hombre lobo que despedaza a uno de los dos pobres muchachos y hiere al otro. El superviviente es llevado a un hospital londinense y, una vez dado de alta, es alojado en casa por la enfermera que lo había cuidado durante su hospitalización. Pero quien es mordido por un licántropo contrae la misma "enfermedad", y así el chico, las noches de luna llena, se transforma en un terrible y gigantesco lobo sembrando pánico y muerte por las calles de Londres… Dirigido por John Landis ("Animal House", "Blues Brothers"), un culto de los años ochenta que ha hecho historia sobre todo gracias a los increíbles efectos especiales y maquillaje realizados por el ganador del Oscar Rick Baker, y que siguen siendo excepcionales incluso para el espectador moderno (la secuencia de la transformación en lobo del protagonista David Naughton sigue dejando estupefacto). Una trama a medio camino entre lo grotesco y el horror puro, que mezcla sabiamente momentos de verdadera suspense con "paréntesis" de diversión pura. Sin duda uno de los mejores films sobre licántropos de todos los tiempos y un imprescindible para todos los amantes del cine de terror. Curiosidad: Landis quiso reservarse una pequeña aparición en la película sobre todo para rendir homenaje a su pasada carrera de especialista: el director aparece en una de las secuencias finales personificando a uno de los peatones atropellados en Piccadilly Circus.
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RESEÑAS DE LA COMUNIDAD (4)

Potential Kermode

10 /10

The best horror film of the eighties

This is a gem, it really is. Alternately amusing and horrific - John Landis plays our emotions like a fiddle here. He is pulling all the strings and we are uncertain as to which string he is going to pull next.

From the eerie Yorkshire countryside of the opening scenes through David's awful nightmares in hospital to amusing zombie chit chat and finally the climactic slaughter in London - this film never lets up.

How many films will you find Kermit the frog sharing a scene with throat slicing, machine gun wielding mutants dressed as Nazis?

  • Potential Kermode
Matthew Brady

Matthew Brady

9 /10

"Beware the moon, lads."

Still frightening and funny 38 years later.

The transformation scene was absolutely incredible, but also really painful. You literally hear every bone crack in his body, and all his organs reshaping and shifting. No other werewolf movie has topped that scene and never will. The song Bad Moon Rising is the icing on the cake.

Rick Baker make-up work is masterful. He's the real beast here.

Peter89Spencer

8 /10

An 80s horror classic!

The storyline was well written, the special effects were amazing, and Jenny Agutter was so sexy!

Although the ending was a bit rushed - just like the Wolfman, the main character dies, and the film ends, just like that! What's more messed up is they play an upbeat song during the end credits, right after we see David's lifeless body.

The ending is my one critique. The rest of the movie was pretty good.

CinemaSerf

CinemaSerf

7 /10

"David" (David Naughton) and his pal "Jack" (Griffin Dunne) are taking a walking tour of the UK when they decide to stop off at a pub. They are about as welcome as a dose of the clap and after a few minutes banter with the natives decide they are better off walking. The thing is, those inside know how dangerous it's about to be out there - and the boys soon find out. It's "David" who wakes up in hospital, replete with some mysterious scratch marks, nightmares and claiming that they were attacked by a brutal hound. Nobody really believes him, and anyway his attention is quickly diverted by nurse "Alex" (Jenny Agutter) whom he visits for dinner and never leaves. Luckily she works nights, else she might have discovered that her beau doesn't just stop at a bit of gentle biting. With corpses piling up around London, he is at a loss to know where he goes at night (waking up naked in the wolf enclosure at the zoo might be the final straw) but try as he might, he can't engage the authorities with his claims. Maybe only doctor "Hirsch" (John Woodvine) believes that something unusual is amiss - but can he help before "David" does himself or anyone else more damage! Increasingly more often naked as he goes along, Naughton joins in with the spirit of this enjoyable comedy horror with enthusiasm. I wonder what might happen now if a naked man in a bush even mentioned a boy's balloons!? It runs out of steam a little at the end, and Agutter's acting never really evolved much from the "Railway Children" 1970) but the visual effects work quite well especially when the full moon rises!

Reseñas proporcionadas por TMDB