Un Lupo Mannaro Americano a Londra backdrop
Un Lupo Mannaro Americano a Londra poster

UN LUPO MANNARO AMERICANO A LONDRA

An American Werewolf in London

1981 GB HMDB
agosto 21, 1981

Due giovani studenti americani, Jack e David, in viaggio in Inghilterra, si ritrovano una sera di plenilunio in piena brughiera. Un lupo sbrana Jack e ferisce David, che viene ricoverato nell'ospedale in cui lavora Alex, infermiera che lo accudisce e del quale si invaghisce. David sembra riprendersi ma ha continue visioni di Jack, il quale cerca di convicerlo invano del fatto che le ferite subite lo hanno trasformato in un lupo mannaro, e che se non prenderà provvedimenti entro il prossimo plenilunio avverrà un massacro. David, noncurante, passa le giornate con l'infermiera fino alla sera di luna piena. All'indomani si risveglia nudo in uno zoo, tutto gli appare tragicamente chiaro, e da quel momento cerca di uccidersi. Ma sarà la polizia, al plenilunio seguente, a mettere fine al dramma.

Cast

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Troupe

Produzione: George Folsey Jr. (Producer)Jon Peters (Executive Producer)Peter Guber (Executive Producer)
Sceneggiatura: John Landis (Screenplay)
Musica: Elmer Bernstein (Original Music Composer)
Fotografia: Robert Paynter (Director of Photography)

RECENSIONI (1)

Marco Castellini
Due ragazzi sono in vacanza in Inghilterra; una notte mentre si ritrovano ad attraversare una brughiera isolata in una zona di campagna, vengono assaliti da un lupo mannaro che riduce a brandelli uno dei due poveretti e ferisce l’altro. Il sopravvissuto viene portato in un ospedale londinese e, una volta dimesso, viene ospitato in casa dall’infermiera che lo aveva avuto in cura durante la sua degenza. Ma chi viene morso da un licantropo contrae il suo stesso “morbo”, e così il ragazzo le notti di luna piena si trasforma in un terribile e gigantesco lupo seminando panico e morte per le strade di Londra… Diretto da John Landis (“Animal House”, “Blues Brothers”), un cult degli anni ottanta che ha fatto storia soprattutto per merito degli incredibili effetti speciali e di make-up curati dal premio Oscar Rick Baker, ed eccezionali anche agli occhi dello spettatore moderno (la sequenza della trasformazione in lupo del protagonista David Naughton lascia ancora esterrefatti). Una trama a metà tra il grottesco e l’horror puro, che miscela sapientemente momenti di vera suspense a “parentesi” di divertimento puro. Sicuramente uno dei migliori film sui licantropi di tutti i tempi ed un must per tutti gli amanti del cinema dell’orrore. Curiosità: Landis ha voluto ritagliarsi una piccolissima apparizione nel film soprattutto per rendere omaggio alla sua passata carriera di stuntman: il regista infatti appare in una delle sequenze finali impersonificando uno dei passanti investiti in Picadilly Circus.
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RECENSIONI DALLA COMMUNITY (4)

Potential Kermode

10 /10

The best horror film of the eighties

This is a gem, it really is. Alternately amusing and horrific - John Landis plays our emotions like a fiddle here. He is pulling all the strings and we are uncertain as to which string he is going to pull next.

From the eerie Yorkshire countryside of the opening scenes through David's awful nightmares in hospital to amusing zombie chit chat and finally the climactic slaughter in London - this film never lets up.

How many films will you find Kermit the frog sharing a scene with throat slicing, machine gun wielding mutants dressed as Nazis?

  • Potential Kermode
Matthew Brady

Matthew Brady

9 /10

"Beware the moon, lads."

Still frightening and funny 38 years later.

The transformation scene was absolutely incredible, but also really painful. You literally hear every bone crack in his body, and all his organs reshaping and shifting. No other werewolf movie has topped that scene and never will. The song Bad Moon Rising is the icing on the cake.

Rick Baker make-up work is masterful. He's the real beast here.

Peter89Spencer

8 /10

An 80s horror classic!

The storyline was well written, the special effects were amazing, and Jenny Agutter was so sexy!

Although the ending was a bit rushed - just like the Wolfman, the main character dies, and the film ends, just like that! What's more messed up is they play an upbeat song during the end credits, right after we see David's lifeless body.

The ending is my one critique. The rest of the movie was pretty good.

CinemaSerf

CinemaSerf

7 /10

"David" (David Naughton) and his pal "Jack" (Griffin Dunne) are taking a walking tour of the UK when they decide to stop off at a pub. They are about as welcome as a dose of the clap and after a few minutes banter with the natives decide they are better off walking. The thing is, those inside know how dangerous it's about to be out there - and the boys soon find out. It's "David" who wakes up in hospital, replete with some mysterious scratch marks, nightmares and claiming that they were attacked by a brutal hound. Nobody really believes him, and anyway his attention is quickly diverted by nurse "Alex" (Jenny Agutter) whom he visits for dinner and never leaves. Luckily she works nights, else she might have discovered that her beau doesn't just stop at a bit of gentle biting. With corpses piling up around London, he is at a loss to know where he goes at night (waking up naked in the wolf enclosure at the zoo might be the final straw) but try as he might, he can't engage the authorities with his claims. Maybe only doctor "Hirsch" (John Woodvine) believes that something unusual is amiss - but can he help before "David" does himself or anyone else more damage! Increasingly more often naked as he goes along, Naughton joins in with the spirit of this enjoyable comedy horror with enthusiasm. I wonder what might happen now if a naked man in a bush even mentioned a boy's balloons!? It runs out of steam a little at the end, and Agutter's acting never really evolved much from the "Railway Children" 1970) but the visual effects work quite well especially when the full moon rises!

Recensioni fornite da TMDB