Vendredi 13, chapitre 3 : Meurtres en 3 dimensions backdrop
Vendredi 13, chapitre 3 : Meurtres en 3 dimensions poster

VENDREDI 13, CHAPITRE 3 : MEURTRES EN 3 DIMENSIONS

Friday the 13th Part III

1982 US HMDB
août 13, 1982

Jason Voorhes, le célèbre tueur au masque de hockey est de retour, plus décidé que jamais à semer la terreur, cette fois-ci dans une petite ferme où se rend un groupe de jeunes gens. Le tueur se trouve également aux prises avec un gang de motards.

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Equipe

Production: Lisa Barsamian (Executive Producer)Frank Mancuso Jr. (Producer)
Scenario: Carol Watson (Screenplay)Martin Kitrosser (Screenplay)
Musique: Neiman-Tillar (Music)Harry Manfredini (Original Music Composer)
Photographie: Gerald Feil (Director of Photography)

CRITIQUES (1)

Roberto Giacomelli
Un groupe d'adolescents se rend près du lac Crystal pour passer quelques jours de vacances, ignorant que cet endroit a été le théâtre de meurtres brutaux perpétrés par Jason Voorhees et sa mère Pamela. Parmi les campeurs se trouve Chris, une jeune fille qui a eu un rencontre traumatisante avec Jason dans le passé. Dès le début, les jeunes sont espionnés par un individu mystérieux qui se cache dans la forêt, mais bientôt cet individu se révèle être Jason et commence à massacrer les jeunes campeurs. Dans ce troisième volet, intitulé "Week-end de terreur" en Italie et tourné en 3D, Jason est confirmé comme le croque-mitaine de la saga et acquiert son look classique avec un masque de hockey (qu'il prend à l'une de ses victimes). À partir de ce moment, Jason commence à ressembler, dans l'apparence et les mouvements, à Michael Myers, star de la saga "Halloween" et, selon John Carpenter, Jason n'est rien d'autre que la vulgarisation de son Michael. On ne peut pas donner tort à Carpenter, mais Jason, véritable poule aux œufs d'or du cinéma de genre des années 80, a acquis sa propre caractérisation et sa propre identité au fil des suites, ce qui l'a en partie éloigné du modèle hybride dont il était issu, devenant le gentil géant mort-vivant que tous (ou presque) les fans de l'horreur adorent. "Week-end de terreur" voit de nouveau Steve Miner à la réalisation, déjà auteur du deuxième volet, et a le mérite d'appuyer sur l'accélérateur du gore, devenant le volet le plus violent de la saga (personnes coupées en deux, flèches dans les yeux, crânes fracassés, gorges tranchées et bien plus encore !) Naturellement, l'histoire reprend en grande partie les deux films précédents, mais ce n'est pas certainement l'élément de nouveauté que le public de cette saga demande, donc pour les fans de Jason Voorhees "Week-end de terreur" est un film plus que divertissant.
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AVIS DE LA COMMUNAUTÉ (3)

Gimly

Gimly

5 /10

Still to this day, the entry with the creepiest looking Jason.

Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

Wuchak

Wuchak

5 /10

Somewhat fun and entertaining, but adds campiness and bad writing

The first two films from 1980-1981 are serious in nature with the expected antics of youths at a remote camp, but the franchise introduced a campy element with this third installment, which pretty much plagued the rest of the series until the reboot in 2009. Not that I'm complaining much, as these films are only quasi-believable anyway.

Still, this is the main detriment of "Part III,” released in 1982. The opening credits song tips the viewer off that this isn't a wholly serious horror film (like the first two), which is compounded when a couple of the protagonists meet some sinister bikers at a convenience store in the boonies, which takes place about 25 minutes into the story. These hoodlums are too cartoonish to take serious and so it's hard to take the horror seriously either. This doesn't mean it's not entertaining in some ways, just that it's my least favorite installment.

The dubious writing doesn’t help. For instance, why does Fox go into the barn? Speaking of that dang barn, why on earth are so many characters preoccupied with it? It’s like the writer wanted to come up with any possible excuse to use the barn as a focal point. Also, why does Vera leave Shelly to go outside and hangout by herself? I realize she probably wanted to get away from the pathetic guy, but she informs him that she’s going to go outside with a sense of purpose and come back in, but she really doesn’t do much outside. Sequences like this reflect lame writing.

Another noticeable difference between Part III and the two previous films is that, although the story takes place in the area of Crystal Lake, the film was shot in Southern Cal instead of the East Coast, specifically Santa Clarita, CA, and nearby Melody Ranch (where the barn is located). The geography is obviously dryer and the contrast in setting is too glaring. While it could be argued that the different environment provides a nice change of tone, the setting seems too one-dimensional.

As usual with the series, the film thankfully features a nice assortment of females: three white girls, a Hispanic and a black woman, the latter being the biker chick, Fox. It's hard to pick a favorite, but the main protagonist, Chris, played by Dana Kimmell, is probably it, followed by the stoner chick, Chili; not to mention Debbie and Vera (Debbie has a quality bikini scene).

BOTTOM LINE: Part III is entertaining in some ways and is notable for switching the filming locations to dry Southern California, not to mention Jason is bigger and more imposing than in Part II and he finally acquires his iconic hockey mask. Yet it’s my least favorite of the franchise due to the goofy elements, the subpar writing and the limited setting with too much focus on a freakin’ barn.

The film runs 95 minutes.

GRADE: C

JPV852

JPV852

6 /10

Decided to get in one more Friday the 13th movie and this one reminded me why it's not high on my list in the series, though I liked portions of it, just nothing involving Shelly and watching it in 2D, the shots made for 3D are pretty annoying. I will say, I did like the lead actress and I'm a fan of the hockey mask Jason. 3.0/5

Avis fournis par TMDB