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EL OJO. LA CRIATURA DE OTRO MUNDO

The Trollenberg Terror

1958 GB HMDB
julio 7, 1958

En los Alpes suizos unos extraterrestes con forma de ojo, que se ocultan tras una nube radioactiva, se hacen con el dominio telepático de los lugareños, a los que terminan decapitando.

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Equipo

Produccion: Monty Berman (Producer)Robert S. Baker (Producer)
Guion: Jimmy Sangster (Screenplay)Giles Cooper (Story)George F. Kerr (Story)Jack Cross (Story)
Musica: Stanley Black (Original Music Composer)

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Datos proporcionados por JustWatch

Preguntas sobre El ojo. La criatura de otro mundo

¿Dónde ver El ojo. La criatura de otro mundo en streaming?

El ojo. La criatura de otro mundo está disponible en Artiflix.

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¿Cuánto dura El ojo. La criatura de otro mundo?

El ojo. La criatura de otro mundo dura 84 minutos.

¿Cuándo se estrenó El ojo. La criatura de otro mundo?

El ojo. La criatura de otro mundo se estrenó en 1958.

¿Quién dirigió El ojo. La criatura de otro mundo?

El ojo. La criatura de otro mundo está dirigida por Quentin Lawrence.

RESEÑAS DE LA COMUNIDAD (1)

John Chard

John Chard

7 /10

The Crawling Eye.

The filmic adaptation of a 1956 UK TV serial of the same name, The Trollenberg Terror is a whole bunch of fun and not deserving of the stinker reputation it has in some sci-fi loving circles.

Action is set in Trollenberg, Switzerland and concerns a creature from outer space that has taken residence in a radioactive cloud atop of the Trollenberg mountain. As the bodies start to pile up and various climbers go missing on the mountain, the United Nations send a boffin to help the local scientists to hopefully solve the mystery.

The effects work has been the source of some disdain, and in truth it’s poor but not the worst from the 1950s pantheon of “B” schlockers. The back projection scenes are crude, but again in keeping with the fun aspects of the genre and era. However, Jimmy Sangster’s screenplay is tight and produces brainy conversations and strong sequences.

Horror comes by way of headless bodies turning up and that once sane people turn into maniacs as “the terror” weaves its magic. On the normal human side the narrative is given a boost by Janet Munro’s (excellent) telepathic darling, something which troubles the visitors greatly and puts her in grave danger. The psychological aspects of the story mark this out as a genre piece of worth.

Elsewhere director Quentin Lawrence does a study job with what is available to him, Forest Tucker is the hero in waiting, playing it reserved like, and Warren Mitchell proves good foil for Tucker and the Terror! It’s not a great film, but it is a good one, let down in some tech departments for sure, but strengths elsewhere make up for its flaws. 7/10

Reseñas proporcionadas por TMDB