L'EXORCISTE
The Exorcist
Regan, une adolescente, présente depuis quelque temps d’étranges symptômes. Après avoir épuisé les solutions médicales, la mère de Regan consulte un prêtre-psychiatre qui est rapidement convaincu que Regan est possédée et que seul un exorcisme pourra la "guérir".
Réalisateurs
Distribution
Ellen Burstyn
Chris MacNeil
Linda Blair
Regan MacNeil
Jason Miller
Father Damien Karras
Max von Sydow
Father Lankester Merrin
Lee J. Cobb
Lt. Bill Kinderman
William O'Malley
Father Joseph Kevin Dyer
Kitty Winn
Sharon Spencer
Barton Heyman
Dr. Klein
Peter Masterson
Dr. Barringer
Jack MacGowran
Burke Dennings
Rudolf Schündler
Karl
Gina Petrushka
Willi
Robert Symonds
Dr. Taney
Arthur Storch
Psychiatrist
Thomas Bermingham
Tom
Vasiliki Maliaros
Mary Karras
Titos Vandis
Uncle John
John Mahon
Language Lab Director
Wallace Rooney
Bishop Michael
Ron Faber
Chuck / Demon (voice)
Equipe
CRITIQUES (1)
VOUS POURRIEZ AUSSI AIMER
Silent Hill
The Exorcism of Emily Rose
End of Days - Giorni Contati
L'Esorcista III
Paranormal Activity
Ghost Movie 2 - Questa volta è guerra
Liberaci dal Male
February - L'innocenza del male
The Nun - La vocazione del male
Hereditary - Le radici del male
Annabelle 3
Gli occhi del diavolo
Où Regarder
Louer
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Timvision
Chili
Acheter
Apple TV
Amazon Video
Google Play Movies
Timvision
Chili
AVIS DE LA COMMUNAUTÉ
(3)
Potential Kermode
Shocking rather than frightening.
Friedkin's The Exorcist is a film that shocks rather than scares. A well made film that achieved notoriety via pea soup. A slow and intelligent film with strong performances - yet also a mostly disappointing one for those who dare to go beyond the hype and actually experience it for the first time.
For a film that does succeed in frightening the audience and with none of the hype - I recommend The Changeling starring George C Scott. Now THAT is a scary movie.
griggs79
The 4K restoration of The Exorcist is absolutely stunning. Every frame has been enhanced to reveal richer textures, making the eerie details of Regan's demonic possession even more unsettling. The colours in key scenes are now more vivid, adding depth to the already tense atmosphere. Iconic moments, such as Father Merrin's arrival under the streetlight and Regan's head spin, have been revitalized, making them feel even more intense. The film's haunting interiors, from Regan's dimly lit bedroom to the unsettling atmosphere of Father Karras's moments of doubt, now have a newfound clarity that enhances the immersive terror.
RalphRahal
The Exorcist (1973) is one of those horror films that sticks with you long after the credits roll. It sets itself apart with an eerie, slow-building tension rather than relying on cheap scares. The story follows a young girl who begins exhibiting disturbing behavior, leading her mother to seek help from both medical professionals and, eventually, the church. The plot is simple but highly effective, creating an unsettling atmosphere that feels grounded in reality. It doesn’t waste time on unnecessary subplots, keeping the focus tight and the tension high.
William Friedkin’s direction is masterful, balancing realism with the supernatural in a way that makes everything feel disturbingly possible. The opening in the desert is a great example, setting up the film’s themes with a quiet unease before shifting to the main story. The cinematography reinforces the horror without feeling over-stylized, using dim lighting, tight framing, and cold color tones to build dread. The way the camera lingers just long enough on certain shots makes you feel like you’re watching something you shouldn’t be.
The acting is phenomenal across the board, but the standout performance is from Linda Blair as the possessed girl. She delivers a chilling performance that makes the supernatural feel shockingly real. Ellen Burstyn and Max von Sydow bring depth to their roles, adding weight to the film’s emotional core. The dialogue feels natural, which makes the disturbing moments hit even harder. The script is smartly written, giving just enough exposition without over-explaining, letting the horror unfold naturally.
The sound design and score elevate the entire experience. The use of silence is just as effective as the unsettling sounds that creep in at the right moments. The film’s signature theme, Tubular Bells, is simple yet haunting, perfectly setting the tone for the film. The shock scenes are well-timed and never feel excessive, keeping the horror grounded rather than over-the-top. The Exorcist still holds up today as one of the most well-crafted horror films ever made, blending strong storytelling, unsettling direction, and incredible performances into something unforgettable.
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