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Rabbit Trap poster

RABBIT TRAP

2025 • US HMDB
septembre 12, 2025

Situé en 1973, les musiciens Daphne et Darcy Davenport, quittent Londres pour s'installer dans une cabane isolée au Pays de Galles afin de terminer leur nouveau disque. Lorsqu'ils enregistrent accidentellement sur le terrain un son mystique jamais entendu auparavant par des oreilles humaines, un enfant étrange entre dans leur vie...

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Equipe

Production: Elijah Wood (Producer)Daniel Noah (Producer)Lawrence Inglee (Producer)Elisa Lleras (Producer)Alex Ashworth (Producer)Sean Marley (Producer)Adrian Politowski (Producer)Martin Metz (Producer)Nadia Khamlichi (Executive Producer)Nessa McGill (Executive Producer)Sierra Garcia (Executive Producer)Dev Patel (Executive Producer)Benjamin Kramer (Executive Producer)Kyle Stroud (Executive Producer)Tom Ogden (Executive Producer)Stephen Kelliher (Executive Producer)Sophie Green (Executive Producer)Steven Demmler (Executive Producer)Dan Hubbard (Executive Producer)
Scenario: Bryn Chainey (Writer)
Musique: Lucrecia Dalt (Original Music Composer)
Photographie: Andreas Johannessen (Director of Photography)

Questions sur Rabbit Trap

Quelle est la durée de Rabbit Trap ?

Rabbit Trap dure 88 minutes.

Quand est sorti Rabbit Trap ?

Rabbit Trap est sorti en 2025.

Qui a réalisé Rabbit Trap ?

Rabbit Trap est réalisé par Bryn Chainey.

AVIS DE LA COMMUNAUTÉ (1)

FolknHell

FolknHell

9 /10

Rabbit Trap is a film about listening. Not simply because Darcy is a sound recordist and Daphne an experimental musician, but because Bryn Chainey keeps asking what might be present in the world if we paid sufficiently strange attention to it.

The soundscape is extraordinary. Insects, wind, field recordings and noises that seem to sit somewhere between the natural and the impossible make the Welsh landscape feel less like scenery than a consciousness Darcy has accidentally tuned into. The camera follows suit. Close framing and soft backgrounds keep the couple trapped within their own small emotional space even when they are surrounded by open country. The landscape is enormous, yet the film feels intensely private.

Then a child appears.

The obvious route is changeling folklore, and Rabbit Trap happily scatters fairy rings, gorse, old beings and trickster logic around the place. But the more interesting question is what the child wants from Darcy and Daphne, and what they want from it. When it presents them with a hunted rabbit, it explains that a sacrifice only matters if what is offered genuinely means something. That rule quietly becomes the key to the whole film.

There is a persuasive reading that Darcy and Daphne are carrying the grief of a child they never had, or lost before they could properly make that child part of their lives. Their inability to give the visiting child a name is particularly difficult to ignore. Yet the film never tidies this into diagnosis. The supernatural may be processing their grief, exploiting it, answering it, or doing several of those things at once.

Most importantly, the child is not easily reduced to something evil. By the end, fear gives way to tenderness. What initially looks like invasion becomes acceptance, and what appears to be a trap starts looking remarkably like release.

That is Rabbit Trap's loveliest trick. It uses some of folk horror's oldest and least trustworthy inhabitants to tell an unexpectedly moving story about finally being able to let something go.


Reviewed by FolknHell, the folk horror film podcast.

Hear the full FolknHell podcast discussion of Rabbit Trap, along with our other reviews, transcripts and episodes, at folknhell.com.

Avis fournis par TMDB