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Rabbit Trap poster

RABBIT TRAP

2025 โ€ข US HMDB
septiembre 12, 2025

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Equipo

Produccion: Daniel Noah (Producer) — Lawrence Inglee (Producer) — Nadia Khamlichi (Executive Producer) — Elijah Wood (Producer) — Elisa Lleras (Producer) — Alex Ashworth (Producer) — Adrian Politowski (Producer) — Sierra Garcia (Executive Producer) — Martin Metz (Producer) — Dev Patel (Executive Producer) — Sean Marley (Producer) — Nessa McGill (Executive Producer) — Stephen Kelliher (Executive Producer) — Benjamin Kramer (Executive Producer) — Kyle Stroud (Executive Producer) — Sophie Green (Executive Producer) — Tom Ogden (Executive Producer) — Steven Demmler (Executive Producer) — Dan Hubbard (Executive Producer)
Guion: Bryn Chainey (Writer)
Musica: Lucrecia Dalt (Original Music Composer)
Fotografia: Andreas Johannessen (Director of Photography)

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Datos proporcionados por JustWatch

Preguntas sobre Rabbit Trap

¿Dónde ver Rabbit Trap en streaming?

Rabbit Trap está disponible en Apple TV, Amazon Video, Google Play Movies, YouTube, Fandango At Home, Plex, Magnolia Selects Amazon Channel, Monsters and Nightmares Amazon Channel.

  • Apple TV
  • Amazon Video
  • Google Play Movies
  • YouTube
  • Fandango At Home
  • Plex
  • Magnolia Selects Amazon Channel
  • Monsters and Nightmares Amazon Channel
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¿Cuánto dura Rabbit Trap?

Rabbit Trap dura 88 minutos.

¿Cuándo se estrenó Rabbit Trap?

Rabbit Trap se estrenó en 2025.

¿Quién dirigió Rabbit Trap?

Rabbit Trap está dirigida por Bryn Chainey.

RESEÑAS DE LA COMUNIDAD (1)

FolknHell

FolknHell

9 /10

Rabbit Trap is a film about listening. Not simply because Darcy is a sound recordist and Daphne an experimental musician, but because Bryn Chainey keeps asking what might be present in the world if we paid sufficiently strange attention to it.

The soundscape is extraordinary. Insects, wind, field recordings and noises that seem to sit somewhere between the natural and the impossible make the Welsh landscape feel less like scenery than a consciousness Darcy has accidentally tuned into. The camera follows suit. Close framing and soft backgrounds keep the couple trapped within their own small emotional space even when they are surrounded by open country. The landscape is enormous, yet the film feels intensely private.

Then a child appears.

The obvious route is changeling folklore, and Rabbit Trap happily scatters fairy rings, gorse, old beings and trickster logic around the place. But the more interesting question is what the child wants from Darcy and Daphne, and what they want from it. When it presents them with a hunted rabbit, it explains that a sacrifice only matters if what is offered genuinely means something. That rule quietly becomes the key to the whole film.

There is a persuasive reading that Darcy and Daphne are carrying the grief of a child they never had, or lost before they could properly make that child part of their lives. Their inability to give the visiting child a name is particularly difficult to ignore. Yet the film never tidies this into diagnosis. The supernatural may be processing their grief, exploiting it, answering it, or doing several of those things at once.

Most importantly, the child is not easily reduced to something evil. By the end, fear gives way to tenderness. What initially looks like invasion becomes acceptance, and what appears to be a trap starts looking remarkably like release.

That is Rabbit Trap's loveliest trick. It uses some of folk horror's oldest and least trustworthy inhabitants to tell an unexpectedly moving story about finally being able to let something go.


Reviewed by FolknHell, the folk horror film podcast ยท folknhell com
Hear the full FolknHell podcast discussion of Rabbit Trap: folknhell com/starve-acre-rabbit-trap-double-bill-review along with our other reviews, transcripts and episodes.

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