Maniac backdrop
Maniac poster

MANIAC

1980 US HMDB
novembre 14, 1980

Un maniaco omicida vive tra una realtà sanguinaria, quella delle sue gesta, e l’ossessionante ricordo della madre. Frank (interpretato da Joe Spinell) si aggira per un’allucinante metropoli sgozzando, strangolando e mutilando giovani donne per dare un “tocco di vita” ai manichini di cui si circonda.

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Produzione: William Lustig (Producer)Judd Hamilton (Executive Producer)Andrew W. Garroni (Producer)Andrew Intrater (Executive Producer)Jason Lustig (Executive Producer)
Sceneggiatura: Joe Spinell (Screenplay)C.A. Rosenberg (Screenplay)
Musica: Jay Chattaway (Original Music Composer)
Fotografia: Robert Lindsay (Director of Photography)

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Marco Castellini
Un killer psicopatico uccide giovani ragazze e ne strappa lo scalpo per farne delle parrucche da mettere su dei manichini che tiene in casa. Quando, anche un’intraprendente fotografa sta per fare la stessa fine, la sua già precaria psiche tracolla e lo spinge ad un’orrenda fine. Uno slasher-movie passato alla storia per gli ottimi effetti splatter, curati dallo specialista Tom Savini, e per la crudezza delle immagini (da segnalare in particolare la sequenza dello scoppio della testa…); un finale inaspettato e pieno di sangue lo rendono ancora più appetibile. Unica pecca: una sceneggiatura non sempre all’altezza. Comunque da vedere.
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Wuchak

Wuchak

5 /10

Joe Spinell as a fudged-up murderer in New York City

“Psycho” started a subgenre of films about mentally messed up people who go on killing sprees. For instance, the ’70s brought us movies like “Haunts,” “The Toolbox Murders,” “The Driller Killer” and “Don’t Go in the House.” “Maniac” comes in the tradition of these flicks while adding bits from the Dirty Harry franchise, “Dawn of the Dead” and “The Warriors.”

It’s gritty in its depiction of the sometimes repugnant underbelly of the city, but IMHO focuses too much on the killer stalking his victims, particularly, the nurse in the subway and, later, the model in her apartment. These sequences are tedious, and I found my mind wandering. The 2012 remake with Elijah Wood in Spinell’s role transplants the events to Los Angeles and is way more creative with interesting psychological elaboration. It's also more hypnotic and you find yourself developing sympathy for the nutjob, unlike here.

Notables on the feminine front include Rita Montone (hooker), Caroline Munro (Anna) and Gail Lawrence (Rita)

It runs 1 hour, 27 minutes; and was shot in The Big Apple in the last three months of 1979 along with the first couple of weeks of January, 1980.

GRADE: C

Recensioni fornite da TMDB