Cube backdrop
Cube poster

CUBE

1998 • CA HMDB
juillet 11, 1998

Un groupe de personnes, sans savoir pourquoi, se retrouve enfermé dans une prison surréaliste, un labyrinthe sans fin constitué de pièces cubiques communicantes et équipées de pièges mortels. Le policier, l’architecte, l’étudiante en mathématiques, la psychologue et l’autiste captifs ne savent qu’une seule chose : chacun possède un don particulier qui, combiné aux autres, peut les aider à s’évader. Au fur et à mesure que la peur grandit, les conflits personnels et les luttes de pouvoir s’amplifient. Il leur faudrait pourtant réussir à s’associer pour échapper à une mort certaine.

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Equipe

Production: Mehra Meh (Producer)Betty Orr (Producer)Colin Brunton (Executive Producer)
Scenario: André Bijelic (Screenplay)Vincenzo Natali (Screenplay)Graeme Manson (Screenplay)
Musique: Mark Korven (Original Music Composer)
Photographie: Derek Rogers (Director of Photography)

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Marco Castellini •
Un groupe hétéroclite de personnes de différentes origines sociales - un policier, une docteure, un employé, une étudiante en mathématiques, un expert en évasions, et un garçon autiste (et, pour être honnête, un septième personnage, dans une sorte de bref prologue au film) - sans se connaître entre eux, se retrouvent inexplicablement emprisonnés dans une gigantesque structure en forme de cube composée de milliers de cellules cubiques, toutes de mêmes dimensions, communicantes entre elles, chacune pouvant cacher des pièges mortels. Il y a un moyen de sortir de cette terrible forteresse-piège mais ce n'est pas facile de le découvrir et encore plus problématique d'arriver vivant à la sortie... "Cube – Le Cube" marque le surprenant début de la réalisation du jeune talent canadien Vincenzo Natali. Un étrange film dans lequel le réalisateur a opté pour la décision de laisser au public une large possibilité de "lire" à sa guise les présupposés et la morale de l'histoire : il n'est pas expliqué pourquoi les protagonistes de l'histoire se retrouvent piégés dans la étrange prison, ni le but ou la raison de leur emprisonnement forcé, ni encore moins qui est à "tirer les rênes" de la situation. L'unique intention claire est la démonstration de comment chaque homme, jeté dans une situation anormale, aux prises avec des personnes qu'il ne connaît pas, se ferme en soi-même. L'instinct brutal de survie prend le dessus sur les règles et les situations comportementales annulées et rendues désormais vaines par le parallélépipède. Tous les instincts les plus basiques sont élevés à l'ennui puissance, au cube. Ceux qui aiment une configuration classique avec "les gentils" contre "les méchants", des explications plus ou moins rationnelles, une fin heureuse seront déçus par le film qui est plutôt capable d'attirer et d'intriguer le public plus exigeant et "malicieux". Un intéressant exemple de film "indépendant", peut-être à certains égards bizarre mais sûrement originalissime et appréciable.
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Spoiler Alert

While Cube presents an intriguing premise of individuals trapped in a deadly maze, the execution leaves much to be desired. The film attempts to blend horror with existential themes, however it's lackluster the result is more confusing than thought-provoking. The lack of clarity regarding the Cube's purpose and the characters' motivations creates a narrative void that fails to engage the audience meaningfully. Instead of offering insightful commentary, it often feels like a series of contrived scenarios designed solely for shock value and being gory.

The performances are generally subpar, with characters portrayed in exaggerated manners that detract from their believability. For instance, Quentin's descent into madness is depicted through over-the-top acting rather than nuanced character development. This makes it difficult for viewers to empathize with any of the characters, as they come across as unlikable or poorly developed archetypes rather than fully realized individuals which results in unstickable mediocre act.

The film's reliance on mathematical concepts as a means of escape is both its unique selling point and its downfall. While the idea of using advanced mathematics to navigate the Cube is intriguing, it ultimately feels forced and unrealistic. The plot hinges on the assumption that a specific character possesses unique skills necessary for survival, which raises questions about fairness and logic within the narrative. This reliance on improbable scenarios leads to significant plot holes that undermine the overall tension and coherence of the story and popping more questions than giving answers to the ones that are already there.

Perhaps most frustrating is the film's ending, which resolves the intricate buildup with a lackluster conclusion that feels like a betrayal of its earlier promise. After building tension through complex character dynamics and deadly traps, the resolution appears rushed and unsatisfying. The film ends without providing any real answers or closure, leaving viewers feeling cheated after investing their time in a convoluted journey of nothingness.

In summary, Cube offers a fascinating concept but falters in execution, character development, and narrative coherence. Its potential as a thought-provoking horror film is squandered by poor acting and an unsatisfactory conclusion, making it difficult to recommend despite its cult status (Other ones are spectacular disasters in their own right, so it's best to just steer clear of them altogether).

RalphRahal

6 /10

Cube is a fascinating, low-budget sci-fi thriller that makes the most of its minimalist setup. The concept is simple but incredibly effective, a group of strangers trapped in a deadly maze of cube-shaped rooms. The movie thrives on its tension and psychological undertones, diving into how humans react under extreme pressure. It’s a smart, inventive film that doesn’t spoon-feed answers, leaving you to wrestle with its deeper themes about survival, human nature, and systems of control. While the traps and puzzles are memorable, the true focus is on the characters and how they clash as their desperation grows.

That said, the film isn’t without its flaws. The constant use of tight close-ups and high focal lengths creates an almost unbearable sense of claustrophobia, but not always in a good way. At times, the cinematography feels disorienting and can pull you out of the moment. Combined with some uneven performances and occasionally stiff dialogue, these elements might not work for everyone. Still, Cube is a must-watch if you enjoy tense, thought-provoking thrillers that make you question everything by the time the credits roll. It’s the kind of movie that sticks with you, even if it leaves you a little shaken.

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