From Beyond backdrop
From Beyond poster

FROM BEYOND

1986 US HMDB
October 24, 1986

The Resonator, a powerful machine that can control the sixth sense, has killed its creator and sent his associate into an insane asylum. When a psychiatrist becomes determined to continue the experiment, she unwittingly opens the door to a hostile parallel universe.

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Crew

Production: Brian Yuzna (Producer)Charles Band (Executive Producer)Michael Avery (Executive Producer)
Screenplay: Dennis Paoli (Screenplay)Stuart Gordon (Story)
Music: Richard Band (Original Music Composer)
Cinematography: Mac Ahlberg (Director of Photography)

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Marco Castellini
The scholar Crawford Tillinghast (Jeffrey Combs) assists Dr. Edward Pretorius (Ted Sorel) in his research for the development of the pineal gland, a sort of "third eye" that allows one to observe what happens beyond our dimension. Thanks indeed to the "Resonator," a special machine that, through a series of vibrations, stimulates the pineal gland, the two scientists manage to perceive incredible things. Pretorius, however, decides to use the machine to satisfy an unbridled morbid instinct and transforms into a monstrous being to then disappear into the other dimension. Accused of murder, Tillinghast manages to persuade the police that Pretorius is still alive, but the only tool to prove it and bring him back from the other dimension is precisely the magnetic resonator. The machine is activated, but the effects are devastating. A policeman dies and the scientist undergoes a horrific metamorphosis... After the commercial and critical success of "Re-Animator," director Stuart Gordon and producers Charles Band and Brian Yuzna try again, this time also based on a story by H.P. Lovecraft. "From Beyond" is a deliberately irreverent fantasy horror that becomes a "cult" in its own way, in which splatter effects (shapeless masses of flesh, genetic mutations) and sex (Pretorius takes on the form of a phallic monster with sadomasochistic impulses) follow each other at a frenetic and relentless pace. To bring these incredible events to life and, above all, the exceptional mutations of Dr. Pretorius, the producers of "From Beyond" entrusted the creation of the special effects to four separate companies in Los Angeles, and the result was certainly one of the best! Much worse, however, were the "digital" effects (but at the end of the 1980s, computer graphics were taking their first steps...). Apart from this forgivable flaw, the film is absolutely worth rediscovering, even if it is quite difficult to find for rent and almost impossible to see on TV. Curiosity: in the cast, it is also worth noting the presence of Ken Foree, unforgettable protagonist of "Zombi" by Romero.
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COMMUNITY REVIEWS (1)

CinemaSerf

CinemaSerf

6 /10

The problem with turning a short story into a movie is frequently that there just isn't enough story to pad out ninety minutes. That is certainly the case with this. A pair of scientists - "Tillinghast" (Jeffrey Combs) and "Pretorius" (Ted Sorel) have developed the "Resonator". This is a device that allows people to see reality in a sort of 3-D, with that added dimension not normally visible. Thing is, that is where some pretty malevolent beasties live and having had a glimpse of the world we live in, they want to come visit. A bit of carnage ensues and soon "Tillinghast" and psychiatrist "McMichaels" (Barbara Crampton) are trying to find away to contain and return their monstrous visitor to his own realm before the body count spirals any further. The special effects here are quite effective - and for about half an hour the story itself is quite decent. There has to be more to the multi-verse than can be seen to the naked eye, etc. Sadly, though, the middle half hour just lacks for substance and it never really gets it's head of steam back for the denouement that is quite well stitched together, and actually quite entertaining, but a but lacking in jeopardy or menace. The acting really isn't much better than you'd see supporting a standard episode of "Starsky & Hutch" but that's not so important. It's the scary visuals that work here. Not especially scary, but creatively developed with a minimum of ketchup and soap. Not great, no - but it's enjoyable enough.

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