Cat People backdrop
Cat People poster

CAT PEOPLE

1982 • US HMDB
April 2, 1982

After years of separation, Irena Gallier and her minister brother, Paul, reunite in New Orleans. When zoologists capture a wild panther, Irena is drawn to the cat – and zoo curator Oliver to her. Soon, Paul will have to reveal the family secret: that when sexually aroused, they revert into predatory jungle cats.

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Crew

Production: Charles W. Fries (Producer)Jerry Bruckheimer (Executive Producer)Max Rosenberg (Executive Producer)
Screenplay: Alan Ormsby (Screenplay)Paul Schrader (Screenplay)DeWitt Bodeen (Story)
Music: Giorgio Moroder (Original Music Composer)
Cinematography: John Bailey (Director of Photography)

REVIEWS (1)

Marco Castellini •
In New Orleans, a woman is killed and offered as a sacrifice to a panther goddess. In the same city, another girl meets the brother she had never known and who informs her of the terrible curse that weighs on their family: they cannot fall in love because, if this should happen, they would immediately be transformed into ferocious panthers. Remake of Tourneur's film which, apart from the sinuous forms of the beautiful Nastassja Kinski, offers few reasons to be remembered. If you are really interested in the genre and cannot get the 1942 film... otherwise, let it go.
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COMMUNITY REVIEWS (1)

Wuchak

Wuchak

7 /10

Atmospheric, artistic, dramatic horror in New Orleans

"Cat People" came out in 1982 and is a modern take on the classic 1942 film. Nastassja Kinski and Malcolm McDowell are siblings cursed to become were-panthers if sexually aroused. The only way they can become human again is to kill a fellow human. The idea is absurd and fantastical, but "Cat People" takes the subject absolutely seriously. John Heard plays a zoo manager who falls in love with Kinski’s character, while Annette O'Toole plays the third person in the romantic triangle.

The movie’s engrossing and has style & pizazz. For instance, the flashback scenes of the ancient panther tribe doing rituals in an orange desert are surreal and captivating; the accompanying atmospheric music by Giorgio Moroder adds to the mood nicely, along with David Bowie’s theme song. While both are decidedly 80’s, they fit the flick and are somehow timeless.

Both Kinski and McDowell are properly cat-like. McDowell, as usual, has a weird and diabolic air about him. John Heard is fine as the protagonist and redhead O'Toole is simply gorgeous. Speaking of which, Kinski is indeed quite attractive, as observed in the scene of her fishing with Heard in hot pants and wader boots, but O'Toole steals Kinski’s thunder a bit, particularly in the pool sequence.

This is a great flick for showcasing the New Orleans area and the Sothern Gothic ambiance thereof. Keep in mind that it’s definitely a horror flick and so can be pretty brutal at times. On a related note, if nudity offends you then you might want to skip it as many of the characters are shown totally nude or near nude.

The film runs just shy of 2 hours and was shot in the New Orleans area with some stuff done in the Los Angeles region (e.g. studio work and the panther tree sequence).

GRADE: B+/A-

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