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The Addiction poster

THE ADDICTION

1995 US HMDB
October 6, 1995

A vampiric doctoral student tries to follow the philosophy of a nocturnal comrade and control her thirst for blood.

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Crew

Production: Fernando Sulichin (Producer)Denis Hann (Producer)Preston L. Holmes (Executive Producer)Russell Simmons (Executive Producer)
Screenplay: Nicholas St. John (Writer)
Music: Joe Delia (Original Music Composer)
Cinematography: Ken Kelsch (Director of Photography)

REVIEWS (1)

Daniele Taddei
A young student is vampirized in New York by an attractive vampire woman. After the initial shock and getting used to "her new habits," she will start sucking the blood of New York's inhabitants, including friends and acquaintances. With such premises, the story of this horror film by Abel Ferrara begins, released in America between 1997 and 1998 but only now available in Italy. The film, in an unusual black and white, is the usual story of metropolitan vampires; despite being enhanced by a cameo from the great Christopher Walken, in the role of a "vegetarian" vampire, it is boring, predictable, and incredibly slow. Moreover, there is very little blood, except for the final massacre. The only merit of the film is the idea of treating vampirism as an addiction, a sort of "disease" similar to alcoholism. Otherwise, it is a pseudo-intellectual blood-filled mess, over-the-top, full of genre clichés and references (the references to Romero's "Martin-Wampyr" are more than evident). The happy ending does not console, but rather makes you regret having seen it even more. Not bad, but definitely mediocre.
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COMMUNITY REVIEWS (2)

Gimly

Gimly

5 /10

Even for an arthouse vampire film, it's pretentious, and that's quite an achievement. Existentialism abounds but substance (no pun intended) does not.

Good for audio sampling though.

Final rating:★★½ - Not quite for me, but I definitely get the appeal.

Dsnake1

6 /10

The Addiction is one of the more thoughtful films about vampirism available today.

While the film is incredibly thoughtful, with loads of subtext at every corner, it borders, and sometimes crosses into, pretention. There are times where the narration is attempting to add subtext, but it's so heavy-handed that the film loses sight of the fact it's a horror film. I'd argue it's thought piece first and horror film second, honestly. Maybe that makes it even more frightening.

Christopher Walken is wonderful, and Lili Taylor does a fine job, as well. The choice to shoot the film in black and white was a great idea, as well. There's a real focus placed on the ideas the film is pursuing.

Even though the subject of the horror in this film are vampires, the movie is truly describing humanity.

Reviews provided by TMDB