La saga Crepúsculo: Luna nueva backdrop
La saga Crepúsculo: Luna nueva poster

LA SAGA CREPÚSCULO: LUNA NUEVA

The Twilight Saga: New Moon

2009 US HMDB
noviembre 18, 2009

Edward Cullen decide abandonar a Bella Swan para mantenerla alejada de los peligros del mundo vampírico. Con la ayuda de Jacob Black, su amigo de la infancia y miembro de la misteriosa tribu quileute, Bella intentará superar el abandono de Edward, que la ha dejado sumida en el mayor de los desconsuelos. Pero los peligros siguen acechando a la joven; nuevas y asombrosas criaturas sobrenaturales se cruzarán en su camino, y Bella sólo contará con el apoyo del cada vez más cercano e irresistible Jacob. Repentinamente, Bella se encuentra inmersa en el mundo de los hombres lobo, ancestrales enemigos de los vampiros, y su lealtad es puesta a prueba...

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Equipo

Produccion: Wyck Godfrey (Producer)Kerry Kohansky-Roberts (Producer)Marty Bowen (Executive Producer)Mark Morgan (Executive Producer)Guy Oseary (Executive Producer)Karen Rosenfelt (Producer)Greg Mooradian (Executive Producer)
Guion: Melissa Rosenberg (Screenplay)
Musica: Alexandre Desplat (Original Music Composer)
Fotografia: Javier Aguirresarobe (Director of Photography)

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CinemaSerf

CinemaSerf

5 /10

I think that this is sightly better than the turgid first instalment. "Bella" (Kristen Stewart) is now fairly firmly attached to "Edward Cullen" (Robert Pattinson) and that puts her life in danger. When they realise that, and that folks are starting to suspect that the dapper doctor “Carlisle” (Peter Facinelli) is really “Dorian Gray”, he and his family abruptly move away leaving her bereft and sad. After some months of moping and bad dreams, “Bella” starts to take solace rebuilding a motor bike with the washboard-chested “Jacob" (Taylor Lautner) who turns out to have some secrets of his own that give "doggy style" a whole new meaning! This has marginally more pace than the first film: the absence of the ponderous and repetitious falling in love scenes and of the glisteningly moody Pattison for much of it helps liven the thing up a bit but the performances and screenplay are all still pretty weak. The frequently shirtless Lautner is very easy on the eye but as wooden as they come and Michael Sheen is positively hammy as Voltari supremo "Aro" who has a menacing smile straight out of "Rocky Horror". It's far too long, it resorts to the soundtrack to replace meaningful (?) dialogue a few times too often and some judicious pruning in the middle might have made this a bit better - but the series appears to be, very gradually, picking up steam. I still think I’d have enjoyed “Punch Face” better, though.

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