An American Werewolf in London backdrop
An American Werewolf in London poster

AN AMERICAN WEREWOLF IN LONDON

1981 GB HMDB
August 21, 1981

American tourists David and Jack are savagely attacked by an unidentified animal while hiking on the Yorkshire Moors. After retiring to the home of a beautiful nurse to recuperate, David soon begins experiencing disturbing changes to his body and mind.

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Crew

Production: George Folsey Jr. (Producer)Jon Peters (Executive Producer)Peter Guber (Executive Producer)
Screenplay: John Landis (Screenplay)
Music: Elmer Bernstein (Original Music Composer)
Cinematography: Robert Paynter (Director of Photography)

REVIEWS (1)

Marco Castellini
Two young men are on vacation in England; one night, while crossing an isolated moorland in a rural area, they are attacked by a werewolf that tears one of the two poor boys to shreds and injures the other. The survivor is taken to a London hospital and, once discharged, is hosted at the nurse's home who had taken care of him during his hospitalization. But whoever is bitten by a werewolf contracts the same "disease", and thus the boy, on full moon nights, transforms into a terrible and gigantic wolf sowing panic and death through the streets of London… Directed by John Landis ("Animal House", "Blues Brothers"), a cult film of the eighties that made history above all thanks to the incredible special effects and makeup by Oscar winner Rick Baker, and which remain exceptional even for the modern viewer (the sequence of the protagonist David Naughton's transformation into a wolf still leaves one astounded). A plot halfway between the grotesque and pure horror, which skillfully mixes moments of real suspense with "parentheses" of pure fun. Certainly one of the best werewolf films of all time and a must for all horror movie lovers. Trivia: Landis wanted to give himself a small appearance in the film mainly to pay homage to his past career as a stuntman: the director appears in one of the final sequences impersonating one of the pedestrians hit in Piccadilly Circus.
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COMMUNITY REVIEWS (4)

Potential Kermode

10 /10

The best horror film of the eighties

This is a gem, it really is. Alternately amusing and horrific - John Landis plays our emotions like a fiddle here. He is pulling all the strings and we are uncertain as to which string he is going to pull next.

From the eerie Yorkshire countryside of the opening scenes through David's awful nightmares in hospital to amusing zombie chit chat and finally the climactic slaughter in London - this film never lets up.

How many films will you find Kermit the frog sharing a scene with throat slicing, machine gun wielding mutants dressed as Nazis?

  • Potential Kermode
Matthew Brady

Matthew Brady

9 /10

"Beware the moon, lads."

Still frightening and funny 38 years later.

The transformation scene was absolutely incredible, but also really painful. You literally hear every bone crack in his body, and all his organs reshaping and shifting. No other werewolf movie has topped that scene and never will. The song Bad Moon Rising is the icing on the cake.

Rick Baker make-up work is masterful. He's the real beast here.

Peter89Spencer

8 /10

An 80s horror classic!

The storyline was well written, the special effects were amazing, and Jenny Agutter was so sexy!

Although the ending was a bit rushed - just like the Wolfman, the main character dies, and the film ends, just like that! What's more messed up is they play an upbeat song during the end credits, right after we see David's lifeless body.

The ending is my one critique. The rest of the movie was pretty good.

CinemaSerf

CinemaSerf

7 /10

"David" (David Naughton) and his pal "Jack" (Griffin Dunne) are taking a walking tour of the UK when they decide to stop off at a pub. They are about as welcome as a dose of the clap and after a few minutes banter with the natives decide they are better off walking. The thing is, those inside know how dangerous it's about to be out there - and the boys soon find out. It's "David" who wakes up in hospital, replete with some mysterious scratch marks, nightmares and claiming that they were attacked by a brutal hound. Nobody really believes him, and anyway his attention is quickly diverted by nurse "Alex" (Jenny Agutter) whom he visits for dinner and never leaves. Luckily she works nights, else she might have discovered that her beau doesn't just stop at a bit of gentle biting. With corpses piling up around London, he is at a loss to know where he goes at night (waking up naked in the wolf enclosure at the zoo might be the final straw) but try as he might, he can't engage the authorities with his claims. Maybe only doctor "Hirsch" (John Woodvine) believes that something unusual is amiss - but can he help before "David" does himself or anyone else more damage! Increasingly more often naked as he goes along, Naughton joins in with the spirit of this enjoyable comedy horror with enthusiasm. I wonder what might happen now if a naked man in a bush even mentioned a boy's balloons!? It runs out of steam a little at the end, and Agutter's acting never really evolved much from the "Railway Children" 1970) but the visual effects work quite well especially when the full moon rises!

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