Maniac backdrop
Maniac poster

MANIAC

1980 US HMDB
November 14, 1980

A psychotic man, troubled by his childhood abuse, kills and mutilates young women and local models on the streets of New York City.

Cast

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Crew

Production: William Lustig (Producer)Judd Hamilton (Executive Producer)Andrew W. Garroni (Producer)Andrew Intrater (Executive Producer)Jason Lustig (Executive Producer)
Screenplay: Joe Spinell (Screenplay)C.A. Rosenberg (Screenplay)
Music: Jay Chattaway (Original Music Composer)
Cinematography: Robert Lindsay (Director of Photography)

REVIEWS (1)

Marco Castellini
A psychopathic killer murders young girls and rips off their scalps to make wigs to put on mannequins he keeps at home. When even an enterprising photographer is about to meet the same fate, her already precarious psyche collapses and drives her to a horrific end. A slasher-movie that passed into history for its excellent splatter effects, curated by specialist Tom Savini, and for the crudeness of the images (particularly noteworthy is the head explosion sequence…); an unexpected and bloody ending makes it even more appealing. Only flaw: a screenplay not always up to par. Still worth watching.
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Wuchak

Wuchak

5 /10

Joe Spinell as a fudged-up murderer in New York City

“Psycho” started a subgenre of films about mentally messed up people who go on killing sprees. For instance, the ’70s brought us movies like “Haunts,” “The Toolbox Murders,” “The Driller Killer” and “Don’t Go in the House.” “Maniac” comes in the tradition of these flicks while adding bits from the Dirty Harry franchise, “Dawn of the Dead” and “The Warriors.”

It’s gritty in its depiction of the sometimes repugnant underbelly of the city, but IMHO focuses too much on the killer stalking his victims, particularly, the nurse in the subway and, later, the model in her apartment. These sequences are tedious, and I found my mind wandering. The 2012 remake with Elijah Wood in Spinell’s role transplants the events to Los Angeles and is way more creative with interesting psychological elaboration. It's also more hypnotic and you find yourself developing sympathy for the nutjob, unlike here.

Notables on the feminine front include Rita Montone (hooker), Caroline Munro (Anna) and Gail Lawrence (Rita)

It runs 1 hour, 27 minutes; and was shot in The Big Apple in the last three months of 1979 along with the first couple of weeks of January, 1980.

GRADE: C

Reviews provided by TMDB