Jason X backdrop
Jason X poster

JASON X

2001 US HMDB
November 9, 2001

In the year 2455, Old Earth is now a contaminated planet abandoned for centuries -- a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it's not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it's Friday the 13th, and Jason lives!

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Crew

Production: Noel Cunningham (Producer)Sean S. Cunningham (Executive Producer)Andy Sykes (Executive Producer)
Screenplay: Todd Farmer (Screenplay)
Music: Harry Manfredini (Original Music Composer)
Cinematography: Derick V. Underschultz (Director of Photography)

REVIEWS (1)

Roberto Giacomelli
Year 2010. The serial killer Jason Voorhees has finally been captured and taken to the Crystal Lake research center: the scientists' goal is to put him in cryogenic stasis and study his tissue, with incredible self-regenerative capabilities, for stem cell research. But things do not go as planned. Jason manages to free himself, massacres scientists and soldiers, but is frozen by one of the research center's heads, who in turn, remains frozen and injured. Year 2455. A group of students from Earth 2, on a trip to the old planet, come across the frozen bodies of Jason and the doctor; they take them aboard the shuttle to study them and revive them, unaware that they have just given the most dangerous serial killer of the past the chance to continue his favorite hobby! The proverb says "Those who don't die will be seen again!", and if there is a character from popular culture who really has no intention of dying, it is Jason Voorhees. Eight years after the bad and apparently conclusive ("The final Friday") "Jason goes to hell", the giant with a hockey mask that all horror fans know returns in dazzling form. In the tenth chapter, one could only expect another useless and tired movie, but "Jason X", thanks to a fresh and self-ironic script, manages to insert itself among the best titles of the saga. Let's be clear: at the news that Sean S. Cunningham intended to produce a new film of the saga "Friday the 13th" set in space and only reading the absurd plot, one would have expected the worst. But the film in question has the great merit of not taking itself seriously at all, resulting in a bloody entertainment that all fans will appreciate. Seeing Jason move decisively, with his classic and inexorable heavy step, through the corridors of a spaceship, wielding a futuristic machete and surprising his victims from behind as if he were one of the slimy creatures of "Alien", is damn entertaining. All the clichés of the saga are respected and mocked, ending in a self-citation where the Crystal Lake of 1980 is recreated through virtual reality: Jason will find himself immersed in the place where he grew up, by the lake, with two topless campers who cheer for sex and drugs (the two sins for which Jason has always, perhaps unintentionally, punished); naturally, the killer will not let the opportunity slip away and will act on instinct in an artificial revival. Of course, the entire film travels on the rails of the complacent farce, so between quotes from "Aliens - Scontro finale" (the marines who inexplicably escort the students and who find themselves in a bloody confrontation with the Crystal Lake massacre), mockery of "Star Trek" (the protagonist complains that it is not possible to teleport), androids experts in martial arts and David Cronenberg who, in a cameo, is killed by Jason (the director himself has expressed the desire to be a victim of the killer), we arrive at the final climax where Jason appears as an invulnerable and very angry cyborg. In conclusion, "Jason X" is a stupid movie, but aware of it and, in its sincere puerility, entertains a lot, also thanks to an original location and a series of really tasty script finds. Who knows if the producers will manage to resurrect Jason for an eleventh time?
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COMMUNITY REVIEWS (3)

Gimly

Gimly

6 /10

Jason X holds the lofty title of maybe being the cheesiest movie in the incredibly cheesy Friday the 13th franchise, and while that's not exactly a compliment, it still, somehow, works. Jason X is about as feelgood as a slasher movie can get, the catharsis is real, and so are the laughs.

Final rating:★★★ - I liked it. Would personally recommend you give it a go.

portnoyz

5 /10

10th time's a charm. Better than many of the Friday the 13th movies.

Wuchak

Wuchak

6 /10

Like "Alien" but with Jason and a sense of humor

Released in 2001, "Jason X" starts in the year 2010 where the government decides to finally stop Jason by putting him into frozen stasis. He and another person are revived in the year 2455 by a professor and his students who are on a field trip from Earth Two to Earth One. Jason is unleashed on their spaceship and havoc ensues.

This entry is like 1979's "Alien" except with Jason as the monster and a sense of humor. You'll also notice that it's a great departure for the series putting Jason in space in the future. Most Friday fans look down on 1993's "Jason Goes to Hell" and "Jason X" because the producers tried something new. It's obvious that they felt the series had become stale and formulaic with an incredible eight-installment run from 1980-1989. I felt "Jason Goes to Hell" had a refreshing concept (ripped off from 1987's "The Hidden") and a great intro & opening act, but the tone was distasteful and the flick eventually spiraled out of control with its cartoony quasi-horror gobbledygook; still, it featured a couple of the best women in the series (Agent Marcus and Deborah), which should be commended.

I heard negative comments about "Jason X" over the years, but the first half is sci-fi at its best with some amusing elements thrown in for good measure. It’s stunning how well the filmmakers handle the sci-fi aspects of the plot and F/X. The second half, unfortunately, becomes too cartoonish as Jason systematically annihilates most of the crew, particularly when he gets his new futuristic look, basically morphing into SuperJason (rolling my eyes).

As usual, this installment features an impressive assortment of women, but it's only Kinsa (Melody Johnson) that I find appealing, except for the cameo of the campfire teen #1 at the end, played by the stunning Mika Ward. They should have included her in the main cast.

To be expected in light of the spaceship plot, the film was shot mostly on sets (in Toronto) with a couple of outside sequences in Ontario.

The film runs 91 minutes.

GRADE: B-

Reviews provided by TMDB