RABID
April 8, 1977
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a retractable, vampiric stinger in her armpit and a thirst for human blood.
Directors
Horror
Fantascienza
Cast
Marilyn Chambers
Rose
Terri Hanauer
Judy Glasberg
Frank Moore
Hart Read
Joe Silver
Murray Cypher
Howard Ryshpan
Dr. Dan Keloid
Patricia Gage
Dr. Roxanne Keloid
Susan Roman
Mindy Kent
Roger Periard
Lloyd Walsh
Lynne Deragon
Nurse Louise
Victor Désy
Claude LaPointe
Julie Anna
Nurse Rita
Gary McKeehan
Smooth Eddy
Terence G. Ross
Farmer
Miguel Fernandes
Man in Cinema
Robert O'Ree
Police Sergeant
Greg Van Riel
Young Man in Plaza
Jérôme Tiberghien
Dr. Karl
Allan Moyle
Young Man in Lobby
Richard W. Farrell
Camper Man
Jeannette Casenave
Camper Lady
Crew
Production:
Ivan Reitman (Executive Producer) — André Link (Executive Producer) — John Dunning (Producer)
Screenplay:
David Cronenberg (Writer)
Cinematography:
René Verzier (Director of Photography)
REVIEWS (1)
Following a car accident, a young woman suffers severe burns on many parts of her body; she is admitted to a private clinic where she is transplanted with new skin, according to a new procedure developed by an important surgeon. At first everything seems to go well, but after a few days the woman begins to undergo a sort of genetic change, she transforms into a bloodthirsty being. With her bites she infects other people who, in turn, transform, spreading the plague all over the world. The visionary Cronenberg takes another shot at doctors (whom he doesn't seem to hold in high regard, given how he portrays them in his films), this time guilty, even, of contaminating the entire world with a terrible disease, and crafts an enjoyable and quite unsettling film, especially in the final part; the central section of the film turns out to be a bit too slow, ruining, in part, the entire film. The best remain, without a doubt, the final sequences in which the few survivors not yet infected by the disease try to escape from the terrible "beings", moments that seem precursors of the unforgettable "Zombi" by Romero, without having, however, the charm and visual impact of the latter.
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