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The Witch poster

THE WITCH

2016 BR HMDB
February 19, 2016

In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member's faith, loyalty and love are tested in shocking ways.

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Production: Rodrigo Teixeira (Producer)Lars Knudsen (Producer)Daniel Bekerman (Producer)Jodi Redmond (Producer)Sophie Mas (Executive Producer)Jonathan Bronfman (Executive Producer)Lourenço Sant'Anna (Executive Producer)Jay Van Hoy (Producer)Eleanor Columbus (Executive Producer)Alexandra Johnes (Executive Producer)Julia Godzinskaya (Executive Producer)Thomas Benski (Executive Producer)Michael Sackler (Executive Producer)Lucas Ochoa (Executive Producer)Alex Sagalchik (Executive Producer)Chris Columbus (Executive Producer)
Screenplay: Robert Eggers (Writer)
Music: Mark Korven (Original Music Composer)
Cinematography: Jarin Blaschke (Director of Photography)

REVIEWS (1)

Vincenzo de Divitiis
New England, 1630. In a quiet countryside village, a trial is taking place against William, a rigid and strict man in spreading the word of Christ, and his family, who are judged and then expelled from the community. The court's decision forces them to move to a remote farm surrounded by a forest around which unsettling legends loom. The situation worsens with the mysterious disappearance of the youngest son Samuel and the poor harvest yield, as well as the strange behavior of the eldest daughter Thomasin and her younger siblings, Caleb, Mercy, and Jonas. All signs of a negative and malignant presence that affects all other family members in a crescendo of paranoia and madness that will lead to tragic consequences. A negative presence that, at least in the mind of the puritan and God-fearing farming family, materializes into a witch who lives in the forest and makes anyone who enters her territory disappear. Bringing the figure of the witch to the big screen is never an easy task for a director as, unlike vampires and other classic monsters, there are no significant reference texts to draw from and much is left to what popular imagination has been able to elaborate over centuries of oral stories and legends. Such a wide variety of sources that has also flowed into cinema with witches represented in so many different ways, from seductive and tempting women to entities to fight against energetically (as in the recent "The Last Witch Hunter" with Vin Diesel), passing through teenage protagonists of films halfway between comedy and the sentimental, as is very fashionable today even with vampires. For a more classic line, however, it is the debutant director Robert Eggers who, remembering his previous short film inspired by Hansel and Gretel, brings the adorers of Satan back into a space-time dimension more congenial to them. A choice that turned out to be very successful as his debut film, "The Witch," is a dark, unsettling, and stunning film for its mature stylistic approach and a nearly perfect and effective management of tension. A premise is a must: "The Witch" is not a film for those seeking easy scares or want to watch a film that does not require much effort in viewing. Eggers, in fact, puts together a film that is exactly the opposite of all this and offers a precise and detailed fresco of a family nucleus whose extreme faith in God gradually chips away at the affections and balances between parents and children and between the two spouses themselves. A story, halfway between horror and drama, in constant crescendo that reaches its climax in a delirious second half dominated by endless paranoia that leads to a massacre in which the forces of evil make free use of the excessive devotion and faith of the parents who reach peaks of pure madness and masochism. Throughout this, the director also places some excellent scenes of tension, accompanied by some healthy and never excessive splashes of blood in the most gruesome moments and made even more impactful by a soundtrack composed of indistinct voices and superhuman screams, in the style of "Suspiria" by Argento; to remember, in this sense, the suggestive and frightening sequence of little Caleb who meets the witch in the forest and the possession that the same little one suffers from the evil spirit. A few small misfires are registered in a central part with a bit too slow rhythms, but it is precisely in this fraction of the film that the characters of the characters are best developed and the premises for an exciting and blood-filled finale are created. The cast also proves to be up to the task, especially the young Anya Taylor-Joy, in the role of Thomasin, who progressively conquers the scene on a par with Ralph Ineson, who plays William, very good at loading his character with an aura halfway between the reassuring family father and a madman and slave to his mission to spread and defend the word of Christ. The other co-protagonists are also very positive. "The Witch," in conclusion, is a very refined work, catalogable in many respects more in the field of auteur cinema than in that of true genre cinema from which it only draws the settings and the witchcraft theme.
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COMMUNITY REVIEWS (5)

Reno

Reno

8 /10

While an evil force slowly possessing them, the family bond is put on a test.

The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested.

Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings.

It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement.

A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups.

8/10

mattwilde123

mattwilde123

8 /10

This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times.

The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic.

It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document.

★★★★

Sheldon Nylander

Sheldon Nylander

8 /10

Talk about old school!

“The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years.

As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie.

This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end.

That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are.

“The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.

r96sk

r96sk

8 /10

<em>'The Witch'</em>, Robert Eggers' feature directorial debut, is very good! I enjoyed all of these 90 minutes, I could've watched it go on for a little longer in truth. I really liked the atmosphere throughout, as well as the look of the film. The dialogue is particularly excellent, too.

Everyone on the cast gives a terrific performance, shown perfectly by that final scene with them all together onscreen. Harvey Scrimshaw is super convincing in the aforementioned, I was almost questioning if they had got an adult actor and morphed him into Caleb, such was his high performance.

Ellie Grainger and Lucas Dawson are class in that scene too, one of the most unsettling moments in this is as their characters convulse on the floor - that sorta thing with kids always creeps me out. I've gone too far into my review to not note Anya Taylor-Joy, who is quality from beginning to end. Ralph Ineson and Kate Dickie merit props as well.

I mentioned in my recent review of (the good) <em>'Nosferatu'</em> that I was unsure how this one was going to fare in my personal ranking of this director's work, given the stark contrast with my thoughts on <em>'The Lighthouse'</em> (4/10) and <em>'The Northman'</em> (9/10). In actuality, this falls a notch below the latter; not far off the same rating, fwiw.

It'll be fascinating to see what Eggers conjures up next, as long as it is not another piece in the ilk of that from 2019 then I'll excited to check it out.

DogsLoveMe

DogsLoveMe

10 /10

One of the best movies I've ever seen. The acting, the lighting, the writing were all divine.

Also, even though this is a horror movie, I liked it because I'm a bit of a scaredy cat. I don't like horrors that have a bunch of gore or jump scares.

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