A Bay of Blood backdrop
A Bay of Blood poster

A BAY OF BLOOD

Ecologia del delitto

1971 • IT HMDB
September 8, 1971

An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.

Directors

Cast

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Crew

Production: Giuseppe Zaccariello (Producer)Alfredo Bini (Producer)
Screenplay: Filippo Ottoni (Screenplay)Gianfranco Barberi (Story)Dardano Sacchetti (Story)
Music: Stelvio Cipriani (Original Music Composer)
Cinematography: Mario Bava (Director of Photography)

REVIEWS (1)

Francesco Mirabelli

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An elderly countess living in a quiet bay is killed by a shady individual whose face is not seen. A few moments later, the man is also killed by another person, hidden from us. The bay, is wildly desired by a couple of people, particularly by an architect, a local fisherman, and other families sharing the same obsession to buy the property. It will be precisely the extreme zeal for the struggle of who wins the bay, that will unleash a crazy whirlwind of atrocious murders. Let those who can save themselves... We are facing the most savage and bloody work directed by the Italian master of horror-gothic Mario Bava. A group of entrepreneurs and common people, morbidly desiring to acquire a massive bay, will unleash a real massacre, showcasing the emblem of human ferocity. "Whoever kills is killed, no one is innocent, everyone has a sense of guilt, therefore everyone dies". Mario Bava, after directing valuable films, including "Operation Fear" and "The Three Faces of Fear", directs a valuable cinematic example. With this film, the Sanremo director launched the sub-genre - "Slasher-movie" - first staged with the supreme "Blood and Black Lace" and later copied by American horror films (the "Friday the 13th" series among others). "Reazione a catena" was also a source of inspiration for Dario Argento, who directed, exactly four years later, his masterpiece and founder of the thriller/psychological genre "Deep Red". "Bay of blood", title attributed in the USA, is filled with murders: 13 in total, committed in the most atrocious and imaginative ways seen at the time. On the occasion of the miraculous murders, Bava proposes original innovations: the camera first lingers to frame the dying person; in the background, it reveals the author of the massacre who, consequently is killed by another person whose identity is not revealed. The epilogue of the film demonstrates and at the same time denies the rule of the strongest wins, as the bay remains a playground for children. The technical aspect reflects the talent of the director; a curious detail is the blur effect: the zoom highlights an important detail, changes of focus are glimpsed, and the element that seems to be the sun is none other than the eye of the killer while he observes the future victim. The film fundamentally focuses on nature, proposes natural lights and frequent twilight visuals that surround the bay. The cast includes excellent actors. It is worth mentioning both the laudable performance of Luigi Pistilli as Alberto, and the impeccable script by screenwriter Dardano Sacchetti. Inexplicably undervalued and even a victim of the home video market, as it has been unavailable for several years on VHS, "Reazione a catena", whose subtitle in the Italian version was "Ecology of Crime", is a milestone of the slasher-movie, of which it was one of the greatest pioneers.

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COMMUNITY REVIEWS (1)

Wuchak

Wuchak

6 /10

Seminal Italian slasher

At a bay on the remote coast of central Italy, corpses mount up as several people contest over the valuable property rights. Some of those involved are four party-minded youths in a yellow dune buggy.

Mario Bava's "A Bay of Blood" (1971) is called “Ecology of Crime” in Italian (translated) and is known by a few other names, like “Twitch of the Death Nerve” (“A Bay of Blood” is easily the best title).

With one foot firmly in giallo territory, it is hailed as the progenitor and blueprint for the kitschy slasher craze that would soon emerge with "Halloween" (1978) and "Friday the 13th" (1980). But let’s not forget about the influential films that led up to this one, like "Psycho" (1960), "Dementia 13" (1963) and Bava’s own “Blood and Black Lace” (1964), not to mention "Silent Night, Bloody Night,” which was shot at the same time as “A Bay of Blood.” These paved the way for early 70’s slashers like “Home for the Holidays” (1972), "Torso (1973), "The Texas Chainsaw Massacre" (1974) and "Black Christmas" (1974).

While this is superior to “Dementia 13,” the somewhat convoluted story is not as compelling as “Psycho,” “Silent Night, Bloody Night” and “Friday the 13th.” Speaking of the latter, devotees of “A Bay of Blood” suggest that it heavily influenced the first two “Friday” films, but this would mostly apply to the four youths visiting the desolate bay and a couple of death scenes, which amount to a fraction of the runtime. There’s nothing in “Bay” about camp counselors staying at a summer camp and the dynamics thereof.

Brigitte Skay is a highlight on the female front as Louise, but there are a few other notables, like Paola Montenero (Sylvie), Anna Maria Rosati (Laura) and the joyless Claudine Auger (Renata). On the other side of the gender spectrum, Claudio Volonté is reminiscent of Oliver Reed as solemn fisherman outcast Simon.

The movie runs 1 hour, 24 minutes, and was shot about an hour’s drive south of Rome in Sabaudia, Italy, at the producer’s beach house, along with some bits shot at Fogliano, which is 12 miles north.

GRADE: B-

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