The Texas Chain Saw Massacre backdrop
The Texas Chain Saw Massacre poster

THE TEXAS CHAIN SAW MASSACRE

1974 • US HMDB
October 11, 1974

Five friends head out to rural Texas to visit the grave of a grandfather. On the way, they stumble across what appears to be a deserted house, only to discover something sinister within. Something armed with a chainsaw.

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REVIEWS (1)

Marco Castellini

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A group of young people, on board a van, go to their old family home to check the grave of their grandfather because, in the cemetery of the same area, acts of vandalism had occurred. The young people do not know that it is their crazy neighbors who are the 'grave robbers'! One after the other, the young people are horribly killed, all except one, Sally, who is captured and kept prisoner by the family of psychopaths, a group of unbalanced people devoted to cannibalism: the older brother, the younger brother nicknamed 'Leatherface' (a giant retard who wears masks made of human skin), and the grandfather, an ex-butcher forced by age into a wheelchair... The debut film of young director Tobe Hooper demonstrates all of his talent and, paradoxically, remains his best work as an author. The plot is declared from the beginning of the film by an impersonal journalistic text, the opening sequence is immediately of great impact and the visual style is stark, as if the images already communicated the cruelty of the tragedy that will be shown soon. A film of sheer violence, with genuinely disturbing sequences that delighted horror fans and 'launched' the character of Leather Face (Face of Skin), making him a true icon of modern genre cinema. But what makes this film a cornerstone of horror cinema is definitely the hallucinatory atmosphere that permeates every sequence, everything seems like a very realistic long nightmare, also thanks to the good acting of the young leading actors. The pace is frenetic and the direction very effective, to the point of succeeding in the intention of instilling unease in the viewer even through shots of apparently innocuous objects. One clarification should be made: it would be wrong to think of 'The Texas Chain Saw Massacre' as a splatter film: certainly violence is not lacking, as are some 'strong' scenes, but Hooper has chosen to dose everything, not to 'exaggerate', insisting rather on small details (the 'organic' decor of the house, for example) that manage to give a sense of the macabre and horror much more than many excessive and gruesome sequences, thus giving the film a greater sense of 'attention to reality' and therefore even greater anguish and disturbance. An absolutely must-see film.

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COMMUNITY REVIEWS (3)

Wuchak

Wuchak

6 /10

Disturbing iconic slasher about a demented family in rural Texas

After a van of young people picks up a psycho hitchhiker in east Texas they stumble upon a farm house of crazies, including a burly mute man with a mask made of human-skin.

Tobe Hooper’s "The Texas Chainsaw Massacre" (1974) is a seminal, iconic slasher that’s genuinely disturbing and horrific because it plays out in a gritty, realistic manner. While some viewers might find a couple of scenes amusing, like Franklin in his wheelchair accidently rolling down the hill and, later, having a hammy fit in the dilapidated building, it doesn’t change the fact that this is a serious, unsettling horror flick.

By contrast, Rob Zombie’s homage (or rip-off), “House of 1000 Corpses” (2003), wasn’t disturbing or horrific at all because he opted for an over-the-top, cartoony approach. It was colorful and amusing, yes, but not unsettling or horrifying.

Other positives include the rural locations, cool nighttime sequences, e.g. the thorn bush, and the effectively photographed women with no raunch: Teri McMinn (Pam) and Marilyn Burns (Sally). They’re girl-next-door types, but alluring enough.

So this is a standout film as far as serious slasher horror goes and I can understand those who give it a high rating, but horror movies are about more than just scaring & troubling the viewer. For me, the last act is overly one-dimensional, focusing too much on the eye-rolling demonic dirtbag family and a girl fleeing & screaming. It’s thoroughly manic, indeed, but also vacuous and uninspiring.

The film runs 1 hour, 23 minutes; there’s also an 88 minute unrated version. It was shot in east Texas as follows: Round Rock (house), Bastrop (gas station/BBQ shack), Leander (cemetery) and Watterson (slaughterhouse). The house has since been moved to Kingsland and refurbished as a restaurant.

GRADE: B-/C+

CinemaSerf

CinemaSerf

6 /10

It's maybe not fair to appraise a film 50 years after it was made too harshly, but I found this really quite over-rated and annoying. Five travellers pick up an hitch-hiker in their van but quickly discover that he has a penchant for knives and, well he isn't quite the full shilling. Anyway they manage to get shot of him and arrive at a garage that has no petrol near the grave of the grandfather of the wheelchair-bound "Franklin" (Paul A. Partain) and his sister "Sally" (Marilyn Burns) who are travelling with her boyfriend "Jerry" (Allan Danziger) and friends "Kirk" (William Vail) and his girlfriend "Pam" (Teri McMinn). It's the latter two who set of for a swim and never come back. Concerned, "Jerry" goes off in search before, yep - the other two head off into the desert in the dark to see what's what. Pretty early on, we know just what has happened to the first pair and so fully expect the expected... Except, it doesn't quite pan out quite how we might anticipate - else how we could we ever have known about this story? It's all about the last twenty minutes and even then I found it all rather flat and noisy. Way too much of the sense of peril here comes from endless screaming, running about in the bushes in the dark and the behaviour of visitors who just haven't a clue about basic self-preservation. Who would set off into unknown terrain in pitch dark pushing a bloke in a wheelchair after three of their friends had gone missing? Once we meet the perpetrators, again it all just comes across as something that wouldn't look out of place in a Carry On film made in the Hammer House of Horrors - there isn't an hint of menace at any point amongst the faux gore and crescendo hysterics. It's clearly been made on a tiny budget and the production standards reflect that - the continuity is a bit of a joke with wounds that are there then not or windows that self-repair... Nope, perhaps I just wasn't in the mood but I found this really quite disappointing and funny - but not really in a good way.

cineast78

cineast78

10 /10

One of the best and most fascinating horror movies ever made.

Just as the title says it, it is wihout any doubt one of the best and most influential horror films ever made. Its production history is also quite fascinating.

If you are into horror or slasher movies, you simply have to have seen and experienced it. Nuff said.

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