Tombs of the Blind Dead backdrop
Tombs of the Blind Dead poster

TOMBS OF THE BLIND DEAD

La noche del terror ciego

1972 PT HMDB
April 10, 1972

In 13th century Berzano, a legion of knights known as the Templar were executed for conducting black magic rituals and committing human sacrifices in a quest for eternal life. 700 years later, they rise from the dead and attack a group of vacationing college students who visit the remains of their abandoned monastery.

Cast

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Crew

Production: Salvadore Romero (Executive Producer)José Antonio Pérez Giner (Executive Producer)
Screenplay: Amando de Ossorio (Writer)
Music: Antón García Abril (Original Music Composer)
Cinematography: Pablo Ripoll (Director of Photography)

REVIEWS (1)

Giuliano Giacomelli
Virginia is a young and charming woman who is about to leave for a vacation with her partner, Roger. Before they can set off, they meet Betty, an old friend of Virginia's, and invite her to spend the holidays with them. During the train journey, Virginia will begin to harbor a series of jealousies about the complicity that arises between Betty and Roger, and so, unbeknownst to her travel companions, she decides to abandon the moving train. Virginia, having gotten off in a desolate and abandoned land for years, will begin to wander until she finds an old abandoned building that stands near the cemetery; the sun is almost set and so Virginia decides to spend the night there. But after sunset something strange happens in the old cemetery: a horde of zombie Templars, excommunicated and killed by the Church after their return from the Holy Land because they were accused of satanism, return from the world of the dead to quench their thirst for human blood. After the discovery of the poor Virginia's corpse, Roger and Betty will decide to investigate to see what lies behind the brutal murder of their friend. "The Tombs of the Blind Resurrected" ("La noche del terror ciego") is nothing more than the first film, directed by the famous Spanish director Amando De Ossorio (who will mainly dedicate himself to the fulfillment of the entire series), on the famous saga dedicated to the blind zombie Templars (because it is said that after their hanging, the crows tore out their eyes). The film, dated 1971, is considered by many to be a small "cult" and has managed to create a circle of fans who have begun to venerate the saga, which over time has gained a certain fame. In reality, it is a somewhat overrated film and does not reach all the merits to earn the title of "cult". There are indeed many flaws that it shows, flaws that are not always welcomed and justified by the fact that it is a film made on a shoestring budget, because such problems are mostly due to somewhat unfortunate ideas. The screenplay proves to be quite weak and shaky, little able to capture the viewer's attention who risks, for the first hour of the film, getting bored and falling asleep. Furthermore, it presents far too many delays capable only of weighing down the whole thing, to underline, then, the presence of some ideas absolutely out of place, useful only to stretch the broth (see the scene in which, without any reason, the girl comes back to life). Weak are also the dialogues but, above all, the performances of the actors who all seem quite out of place and little able to carry the scene; they are not even helped by a good characterization of the characters, which, on the contrary, turns out to be rather approximate and unconvincing: there are many sequences in which the characters behave in an unnatural way, such as the initial scene in which Virginia, all alone and disoriented, decides to stay for the night, with much nonchalance, in a building abandoned for years and adjacent to a cemetery… how many women, in real life, would have done something like that? The gore department also leaves a lot to be desired because there are few (almost rare) sequences that end in blood (only the effective torture, inflicted on a young maiden, shown during the narration of the past on the Templars, is noteworthy). But what fascinates, and is therefore capable of lifting the viewer's spirits, is the fascinating look of the Zombie Templars (and it will be precisely this the trump card of the entire Ossorio saga) that could seem a bit ridiculous or too fake to an inexperienced eye but will certainly be appreciated by every true connoisseur of old horror. To give life to the film, in addition to the effective look of the zombies (nice to see living dead on horseback), also the beautiful and unusual ending, the only moment in which the screenplay manages to gain a bit of rhythm, which thanks to an innovative touch and a right ferocity results certainly from the anthology. In conclusion, "The Tombs of the Blind Resurrected" is a somewhat overrated horror with multiple flaws but that is not devoid of positive aspects. It could, indeed should, have offered something more. Curiosity: Originally, the film was to be titled simply "El Terror Ciego" but the production, with the motivation that the title was too short and simple (and given the success of other films with more elaborate titles such as "La noche de Walpurgis"), forced the lengthening of the title with the addition of "La noche del… ". Moreover, the filming was supposed to take place in Galicia (the director's homeland) but to avoid Francoist censorship, given that at that time Spain was a vacation destination and a film full of superstitions in which the dead return from beyond the grave to kill the innocent would not be good publicity, the filming took place in Portugal. Today the saga about the zombie Templar knights amounts to four chapters that, however, should have been five; in the fifth the satanic origins of the Templars would have been led to the myth of the werewolf, but in the end nothing more was done.
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COMMUNITY REVIEWS (3)

tmdb17996075

7 /10

"La noche del teror ciego", tells the story of a legion of evil warriors who lived through the 13th century, known as the Templar Knights. These warriors wanted to live forever and the way to achieve that, was by drinking human blood and offering sacrifices to Satan. So The Templar Knights would gladly torture and use innocent maidens for their rituals and please their master. However, their atrocious deeds come to an end, when the Holy Inquisition decides to punish them, by hanging them in public. Several centuries later, in the 1970s, two girls named Virginia and Betty go on a trip together with a guy named Roger. After a pathetic soap opera incident, Virginia gets jealous of her friends and jumps off the train. Landing on a strange place, she finds shelter in some kind of forsaken fortress in ruins. Unfortunately, that place is also a shelter for some hideously frightening creatures that become alive during the nightfall until dawn. Those creatures are, in fact, the Templar Knights, who come back to life as zombies every night.

Director Armando de Ossorio didn't try to please a blood-thirsty audience that wanted brutal killings for an hour and a half. For the contrary, the body count may be humble, but "La noche del terror ciego" takes the zombie subgenre to a different level, in which the creatures are more dark, mysterious and frightening than gory and brutal. If you are a zombie lover, you're probably going to love this film and if you are not, you might be pleasantly surprised by this.

I have read on the message boards that there were a lot of gore lovers dissatisfied by the lack of blood and guts, but I think this film contains a pretty well-brought-up amount. My favorite scene in the entire movie is one in which one of the girls is trying to hide from the zombies. Since the zombies are blind, the girl stays in the same room with them and the only thing she can do to remain undetected, is staying absolutely quiet. But since she's so afraid and tense, her heart starts beating more and more quickly and all of a sudden, we see a close-up of her chest, pointing out that she's on the verge of either fainting or running for her life. The living dead knights hear those heartbeats and turn to the poor girl, who has no choice but finally running away in fear, trying to avoid the nightmarish creatures. This was perhaps one of the most atmospheric situations I have ever seen in a zombie flick. To be honest, most of the chasing sequences were practically faultless, but that one in particular had to be remarked. Reading the message boards, I also came across some people who also complained about a few unresolved questions like: "How could the zombies hear?", "Where did they get the horses?" "How come they were so strong if they were only skeletons?". The answer to all those questions could be: "this is a horror movie about living dead creatures and it's really not supposed to be realistic". To be honest, I think the zombies were more believable than the pointless lesbian story between the two girls, which didn't serve a purpose to the story. Then again, most couples in horror movies make no sense, anyway.

CinemaSerf

CinemaSerf

6 /10

It's fair to say that "Virginia" (María Elena Arpón) isn't the sharpest tool in the box when she gets fed up with the flirting of her travelling companions "Roger" (César Burner) and "Betty" (Lone Fleming) and abandons their slowly moving Portuguese train in the middle of nowhere. Fortunately, she stumbles upon what looks like a ruined monastery and having built a pretty impressive fire from a few twigs, settles down in her sleeping bag for a good night's sleep. No chance. Barely have her eyes closed than things are going bump in the night. The bodies of the condemned Knights Templar buried on the site resurrect themselves and are are thirsty! Feeling a little guilty next day, her two friends try to trace her movements but are ill-equipped for what they find - especially when their horses take flight. Soon the police, some local smugglers and a comically staged cat-fight provide a little entertainment as these wraith like versions of Richard the Lionheart continue to wreak havoc... It's actually quite fun, this film. By no means can it be called good and the acting (and writing) is pretty woeful, but it does make use of it's creepy monastic surroundings quite well, with loads of creaking and dimly lit passageways. There's some fun to be had in a mannequin factory (they don't react too well to fire) too, and there's loads of hysterical screaming - from both sexes. It's way too long with far too much padding, but it's still quite an entertaining horror that can make you laugh.

Wuchak

Wuchak

6 /10

“A pale horse! Its rider was named Death, and Hades followed close behind him”

After a young woman in Portugal (María Elena Arpón) has a horrifying experience at some mysterious ruins by a remote graveyard, her two friends try to find out what happened to her (Lone Fleming and César Burner). Big mistake.

A Portuguese/Spanish production, “Tombs of the Blind Dead” (1972) was originally called “The Night of the Blind Terror” (translated from Spanish). It spawned three sequels in the next three years: “Return of the Blind Dead,” “The Ghost Galleon” and “Night of the Seagulls.” “The Ghost Galleon” is the only other one I’ve seen, which is wisely a standalone flick.

This is slightly superior. The story is interesting, but it basically rips off plot elements of the Dracula story, just replace Harker with Virginia and the undead Count with the Templar mummies. The structure also brings to mind “Psycho” and obviously so. Nevertheless, the Iberian locations are great, the characters interesting, the women lovely, the antagonists creepy and the locomotive a nice addition.

Unfortunately, I lost a little respect for the flick when the train conductor's assistant tries to help a distraught female get on the train. You’ll see what I mean. Then there’s the issue of the horses. I guess you’re not supposed to overthink things.

While watching the skeletal Templars riding horses, I couldn’t help think of the apes on horses in “Planet of the Apes.” Some distributors thought the same thing and so reedited the film, releasing it as “Revenge from Planet Ape,” to take advantage of the popularity of that franchise in the 70s. It played at various theaters in America and even Guam.

It runs 1 hours, 41 minutes, with an edited American version called “The Blind Dead” butchering it to 1 hour, 23 minutes. It was shot in Portugal (Lisbon & places nearby: Palmela, Setúbal, Sesimbra and Estoril) and Spain (Monastery of Pelayos in Madrid).

GRADE: B-

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